LOCAL STUDIES

A Proposal
PREPARED FOR THE VOLUME 7 BRAND & DESIGN PROJECT · JULY 2026
In Review 01
The Proposal 02
Competitive Landscape 03
Creative Concepts 04
Positioning 05
Positioning V2 06
Brand Exploration 07
Questions for Sam 08
Appendix A
SECTION 01

IN REVIEW

Six volumes, read cover to cover — what exists, what works, and where the visual system has yet to catch up to the editorial one.

In the manner of the magazine's own first page

THIS REVIEW covers the complete archive of Local Studies: six volumes, 764 pages, and roughly 52,000 words, published between winter 2022–23 and summer 2025. All photos, art and writing in the archive were made by one person, in one small piece of Central Idaho.

Every volume was read in full. Covers, spines, interior spreads, weather-data pages and back-cover art were inspected page by page. Two July 2026 working calls with the founder inform the assessment. No judgment was outsourced.

The finding, in one line: the editorial system is already excellent — the visual system has not yet caught up to it. That gap is the project.

Part one

The Archive — six volumes, one place

Select a volume. Constants across all six: one author, one season per issue, human-powered documentation, FSC recycled paper, no social media. Everything else evolved.

Volume cover

Part two

Two eras, one hinge

Era one · Vols 1–2 · 2022–23

The Field Journal

Landscape format. Essay-driven, digressive, instructional — long dated captions naming partners, aspects, pitch angles. Formats changing every issue. Found texts, appendices, typographic play. The ethics, voice and local intimacy fully formed; the container still being searched for.

Era two · Vols 3–6 · 2023–25

The Encyclopedia

Portrait ~9×12, 144 pages, four volumes running. The monthly architecture: data page → weather narrative → dated photographs → one essay. The photographic cover template. A longitudinal weather dataset from the same two stations, four volumes deep. The system settled; the visual layer still on defaults.

“I like to think of it as an (artistic rendition of an) encyclopedia of our weather history.” Volume 3 introduction — the founding sentence of the current magazine
Part three

The Brand — strong bones, unresolved seams

What exists and works

A true positioning.
“A weather history of Central Idaho, through the lens of human-powered movement.” Landscape as subject, sport as instrument — an inversion no competitor owns.
The constraints manifesto.
“40 adventures, 75,300 vertical feet… No A.I., drones or airplanes.” Accounting-as-ethics since Volume 1. World-class brand copy; do not let a committee near it.
A mission in the founder's own words.
“Inspire people to care about the weather and land.” “Remind people of forgotten ways of being.” Art and subculture over business — depth over breadth, by intent.

The seams to resolve

Gift → commerce, mid-sentence.
Vol 5: “Not for sale. Only given as a gift.” Vol 6: seven stores and a pre-order page. The shift happened between issues and the language never caught up.
Whose mission is it?
Sam's fulfillment vs. the magazine's purpose — the two-missions split from the July calls must be written down, or every downstream decision wobbles.
The Jackson Hole rack test.
Audience reality: locals 50–80 plus tourists, sales split half and half. Ambition: an object that could sit anywhere. The system must hold both — local easter eggs inside best-in-class craft.
Part four

The Voice — transcribe it, don't invent it

Part five

The Photography — the strongest asset, quietly framed

Full-bleed confidence throughout era two; captions reduced to a date alone — the pictures asked to carry the weather story. The hand-made art layer (offset screenprint color, misregistration) has strengthened every volume and is the seed of an ownable illustration language.

Volume 6 interior photo page
Vol 6 · May · date-only caption, full bleed
Volume 5 November opener
Vol 5 · November opener
Volume 5 tracks artwork
Vol 5 · offset-color track art — the emerging signature
Part six

Design Audit

Part seven

Six things the redesign must not break

The manifesto page.
Elevate typographically; never rewrite.
The issue architecture.
Manifesto → contents → letter → six monthly chapters. It is the format.
The dataset.
Same two stations, three measures, four volumes. Nobody else in independent publishing has this.
The voice.
Precise about weather, vulnerable about self, allergic to bravado.
The front/back polarity.
Field scientist on the front, artist's id on the back — four volumes running. Make it policy, not accident.
The Eedah-how thread.
“Behold! the sun coming down the mountain” (Vol 2, from a 1918 Shoshoni etymology of Idaho) — a near-perfect keystone, pending a conversation about respectful use.
Part eight

The Volume 7 opportunity: codify, plus one leap

Codify

Turn four volumes of instinct into a governed system for Volumes 7–14:

Cover & spine architecture — volume-forward numbering (the archive logic), season subordinated; spines designed as a collector's set.
Typographic hierarchy — a characterful editorial serif plus a technical utility voice for data, captions and the manifesto.
A governed grid and pacing rules; the manifesto page as a designed signature; front/back polarity as policy.
Materials — a tactile signature via soft-touch, spot finish, emboss or foil; stock logic; hardcover feasibility tested.

The leap

A proprietary weather-data language — a Local Studies way of drawing temperature, snow and wind, recognizable in isolation, able to compress a season into a spread and compare years — whose linework then becomes the brand's patterns and textures across the book, the website and beyond. It is the single investment that most honors the thesis: it makes “weather history” visible.

CONSTRAINT · FILES TO PRINTER ~MID-SEPTEMBER 2026
SEQUENCE · MAGAZINE SHIPS FIRST; SYSTEM PACKAGED IN THE ~4 WEEKS AFTER
SCOPE · DATA LANGUAGE AS V1 — THREE CHART TYPES, ONE PATTERN APPLICATION
SECTION 02

THE PROPOSAL

How the weeks get spent — sequence, scope, and three scales of ambition, sized to the appetite discussed on the July 16 call.

The Proposal

Sequence first, ambition second

Draft for discussion

Phase one — to the printer

Now through ~mid-September: brand foundation (positioning, mission split, tone of voice — largely transcription of what six volumes already prove), then the Volume 7 design system applied directly to print files. Everything is judged by one test: does it ship in Vol 7 on time?

Phase two — the packaging

The ~4 weeks after files ship: the system documented as brand guidelines for Volumes 8–14, the website brought in line, and launch supported for the late-October / early-November release.

The fixed points

Print deadline. Files to printer ~mid-September; release late Oct / early Nov.
Cadence. One issue per year going forward — a winter issue. The system is built for Volumes 7–14, not just 7.
Budget appetite. $50–100K discussed July 16, pending real numbers against calendar blocking.
Sam's boundaries. Art over business. No heavy marketing push. The fun stays in it.
The Proposal

Seven phases in twelve weeks

Wireframe for discussion
WK 101 · Research & Discovery
One concentrated week: the archive review formalized, competitive teardowns, the Sam deep-dive — the two-missions split written down, success defined in his terms — and a taste & aesthetics workshop with Sam: reference titles and visual territories on the table, his instincts and allergies captured before a single design decision is made. Printer capability questions out day one, since finish answers gate the cover.
Deliverable · Discovery readout + success definition + printer capability report
WK 2–302 · Brand Positioning & Strategy
Built on the brand guidelines template: statement of purpose, mission, vision, values, points of differentiation, tone of voice, character profile, who it's for — and who it's not for. Locked with Sam by end of week three.
Deliverable · Designed positioning deck (the nine-part framework)
WK 3–603 · Brand & Graphic Design Elements
Four weeks, overlapping positioning in week three: typography refinement, wordmark and logo cleanup, graphic elements (weather-data language v1 and its patterns), photography treatment — developed directly over the Volume 7 layout Sam is already building.
Deliverable · Design system presented on Vol 7 itself — cover, one full monthly chapter + data pages
WK 704 · Print Implementation
One week to land the system in the physical object: final Vol 7 files, cover and spine mechanicals, print spec and finish selections, pre-press — done Sep 4, a full buffer week before the ~Sep 14 printer line.
Deliverable · Print-ready Volume 7 files + print & finish spec sheet
WK 8–905 · WebsiteOPTIONAL
Two weeks: the rebuilt site in the new system, keeping the lo-fi personal register — finished well ahead of release so it goes live with Volume 7.
Deliverable · Live website on the new system
WK 1006 · MerchOPTIONAL
One design week: a sticker and a t-shirt built from Issue 7's art. Production runs through October to land alongside the release.
Deliverable · Production-ready sticker + tee art, vendor handoff
WK 11–1207 · Brand Guidelines
Two weeks to close: everything summarized into a beautiful, usable set of brand rules Sam can run Volumes 8–14 with — delivered as an interactive private website, so the system is searchable, linkable and alive rather than a PDF in a drawer.
Deliverable · Brand guidelines as an interactive private website
PHASES 1–4 DELIVER PRINT IN SEVEN WEEKS · THE FULL PROGRAM CLOSES IN TWELVE · RELEASE LATE OCTOBER
The Proposal · From the Brand Guidelines Template

The brand wheel — how the phases stack

A brand is built in three concentric layers. The innermost ring — the foundation — defines what the brand believes, how it behaves, and why it exists. The second ring translates that foundation into a visual and verbal identity system. The outer ring applies that system to every touchpoint the audience encounters.

Each layer depends on the one inside it. Nothing in the outer ring should exist that can't be traced back through the middle ring to the core — the dependency chain that separates a brand that holds together from one that fragments under pressure.

INNER RING · PHASE 2
Brand Foundation — equity, values, beliefs, character, points of differentiation. Locked Aug 7.
MIDDLE RING · PHASE 3
Iconic Brand Assets — typography, wordmark, graphic elements, data-viz language, photography treatment. Locked Aug 28.
OUTER RING · PHASES 4–6
Activations — the printed Volume 7, the website, the merch. The guidelines (Phase 7) record all three rings.
Brand wheel diagram: three concentric rings — Brand Foundation at the core, Iconic Brand Assets in the middle, Activations at the edge
From the Brand Guidelines Template · the structure Phase 2 begins filling for Local Studies
The Proposal

Twelve weeks, worked back from the printer

Kickoff Monday, July 20. The print-critical path — discovery through print implementation — closes in seven weeks with a built-in buffer before the ~September 14 printer line. Website, merch and guidelines complete the twelve weeks by October 9; merch production runs on to the late-October release.

JULAUG SEPOCT 7/208/3 8/178/31 9/149/28 10/1210/26 PRINT-CRITICAL PATH · 7 WEEKS 01 Research & Discovery one week · teardowns · deep-dive · taste workshop · printer Qs out 02 Positioning & Strategy locked with Sam by 8/7 03 Design Elements type · wordmark · data-viz v1 · photo treatment · over Vol 7 layout 04 Print Implementation final files 9/4 BUFFER 05 Website (OPT) two weeks · live at release 06 Merch (OPT) sticker + tee design → production → lands at release 07 Brand Guidelines closes the twelve weeks · 10/9 KICKOFF 7/20 POSITIONING LOCKED 8/7 SYSTEM LOCKED 8/28 FINAL FILES 9/4 FILES TO PRINTER · ~SEP 14 VOL 7 RELEASE LATE OCT
The Proposal

Three scales of the same idea

Draft — investment to be priced
Small

The Codification

 
Typographic hierarchy — editorial serif + technical utility voice
Cover & spine architecture for Vols 7–14, volume-forward numbering
Governed grid and pacing rules; the manifesto page as a designed signature
Vol 7 layout support + printer spec v1
Outcome: Vol 7 looks decisively upgraded; the system exists, documented lightly.
Medium

The Leap

EVERYTHING IN SMALL, PLUS
Weather-data language v1 — three chart types, one pattern application
A tactile print signature — one premium finish tested and shipped
Brand guidelines document for Volumes 8–14
Website refreshed to match, keeping the lo-fi personal register
Outcome: the thesis becomes visible — the weather itself starts carrying the brand.
Large

The Whole World

EVERYTHING IN MEDIUM, PLUS
Full data-viz system — season-compression spreads, year-vs-year comparisons
Complete website rebuild
A launch moment with underground flavor — small, designed, local
First merch (the holiday tee) + archive positioning kit for stores
Outcome: Local Studies becomes the institution its archive already implies.
The Proposal

Fees & pricing

Pricing is anchored to a market monthly rate for senior brand and design leadership, applied to the twelve-week program and payable on the schedule in the Appendix.

Market rate
$ ——,———
per month · full engagement
Annualized basis
$ ———,———
twelve-month equivalent
This program
12 weeks
≈ three months at market rate
Tier calibration.
The Small, Medium and Large scales are priced against this baseline according to the phases each includes; the selected tier and its installment amounts are confirmed in writing at kickoff and invoiced per the payment schedule.
Upside participation.
Where the work creates outsized value for Local Studies, there is opportunity for upside to be negotiated where appropriate.
To be discussed
Fees, tier and payment schedule · agreed together before kickoff
SECTION 03

COMPETITIVE
LANDSCAPE

Where Local Studies sits in the world of outdoor print — and the white space it already owns.

Competitive Landscape

The middle collapsed. The edges thrive.

Overview — ten title audits follow
Mass market — in retreat.
Outside and the once-loved discipline titles hollowed out by online content. Not the game being played here.
Premium indie — the discipline kings.
The Surfer's Journal, The Ski Journal, Summit Journal, Adventure Journal, Mountain Gazette, Ori. Oversized, collectible, reader-supported, minimal ads, $25+ an issue. They own a sport.
Culture / art crossover.
RANGE, Field Mag in print. They own an aesthetic and a community.
Place-based.
The Bitter Southerner owns a region. Locally: Sun Valley Magazine — biannual lifestyle since 1973, a different game entirely.

The white space

Almost nobody owns the intersection of one place + natural systems + first-person chronicle. The discipline journals cover sport everywhere; the place titles cover culture. A magazine that treats a single valley as a subject of sustained study — closer to a naturalist's field journal than anything on the newsstand — is a lane of one.

Local Studies is already positioned there. The name says it. The job is not to invent a position — it is to express one that exists.

Competitive Landscape

The Reference Ten — audits

Ten best-in-class titles, each audited across brand, design, photography, graphic elements, and positioning. Select a title.

Competitive Landscape

The map — and the open corner

Discipline titles own a sport and roam the world. Place titles own a region and cover its culture. Local Studies is nearly alone in the place-as-subject column — and alone in spanning document and art within one object.

SPORT AS SUBJECT PLACE AS SUBJECT ART & EXPRESSION DOCUMENT The Surfer's Journal The Ski Journal Alpinist Summit Journal Mountain Gazette Adventure Journal Sidetracked Like the Wind RANGE The Bitter Southerner Sun Valley Magazine LOCAL STUDIES spans art ↕ document in one object THE OPEN CORNER
Competitive Landscape

What the best all do — five patterns

Reader money buys editorial purity.
TSJ's membership model, Mountain Gazette's subscriber-only stance, Summit's limited ads — every title funds quality with readers, not advertisers, and says so loudly.
The object is the strategy.
Oversized trims (11×17, 10×13), smyth-sewn bindings, archival stocks, no newsstand. Scarcity and heft do the marketing.
Each owns one visual signature.
Sidetracked's cinematic full-bleeds. Like the Wind's commissioned illustration. Mountain Gazette's sheer scale. Alpinist's literary austerity. One memorable thing, held for years.
Restraint reads as luxury.
Quiet mastheads, generous margins, ads confined to the edges or absent. The confidence to not shout is the shared aesthetic of the tier.
Community is a ritual, not a funnel.
Slow cadences, collector logic, anniversary anthologies, member gifts — retention through belonging rather than reach.
And the gap:
None of the ten owns weather, and only one owns a place. Local Studies already holds both — plus a longitudinal dataset none of them can replicate. The strategy is to keep the tier's craft standards while refusing its placelessness.
SECTION 04

CREATIVE
CONCEPTS

Three territories to develop into full brand worlds — and the single linework idea running beneath all of them.

Creative Concepts

Three territories, one thread

Draft — to be developed into wordmark, type, color & sample spreads
Territory A

The Field Journal

 

Scientific, annotated, data-rich. The encyclopedia made visible: chart linework, marginalia, station coordinates, the manifesto set like an instrument label. The register the writing already lives in.

Risk: too cold for the 50–80 local heart if pushed to Veilance extremes.
Territory B

The Quiet Monument

 

Austere, photographic, Surfer's-Journal restraint. Let the pictures and paper do everything; typography nearly invisible; craft carried by materials and pacing.

Risk: beautiful but anonymous — restraint alone doesn't own the weather.
Territory C

The Almanac

 

Warm, vernacular, seasonal — collectible-series logic, local easter eggs, the newspaper-ad register of the 50–80 audience elevated with real craft.

Risk: nostalgia drift — must stay a living record, not a keepsake.

The unifying thread: contour lines are frozen waves; ripples are liquid topography. One linework system — mountain contour, storm isobar, snowpack stratigraphy, water ripple — could flex across all three territories, and it is born directly from the data-viz leap.

SECTION 05

POSITIONING

Mission, vision and values — drawn from Sam's own writing, and set in the deliberate register the magazine itself keeps. Nothing here was invented; everything here was earned.

Part one · the definition

What Local Studies is

THE MISSION · ONE LINE

Local Studies is a picture-driven weather history of the Central Idaho mountains.

Two passages Sam has spent years honing — the first page of Volume 6, and the words that now open the website. Every photograph in the magazine is taken by a human, from the ground.

SHORT DESCRIPTION

“A picture-driven weather history of the Central Idaho mountains, through the lens of human powered movement. Each issue is singular — all photos, art and writing are done by one person, in one ~50-square-mile place, during one 6-month period of time. No A.I., drones or airplanes are used to create the work.”

WEBSITE DESCRIPTION

“LOCAL STUDIES is a coffee table magazine that reflects on the weather history in the Central Idaho mountains. Each issue includes large-format photography, along with monthly weather data. Every photograph is taken by a human, from the ground; and each issue is printed on FSC-certified paper made of 100% recycled material. This publication is made for friends, with a few copies available in local stores.”

Part two · purpose

The Foundation — meaningful work, made locally

THE POINT

The point is meaningful work — time spent leaving the world a little better than it was found. Some of that meaning is personal: work that keeps its maker unfolding. But the hope was always larger than one person's progress.

Local Studies delivers on this. It sends its maker outside to learn the land; keeps him local instead of airborne; trades wanting more for noticing what's here. It asks for hard things that grow capacity, nudges its maker toward exercise, photography, writing and art, deepens old bonds and opens new ones — and it is in service to showing up as a good husband and father. If the work starts taking away from the home front, that is a clear signal to turn down the work.

THE ROOT HYPOTHESIS

“My life will improve if I focus locally.”

Sam’s version, shared — for others to take on if it feels right to them.

A private experiment, shared: focus more locally, and lives improve, and the earth and its societies begin to heal. Not a claim for everyone — some people, maybe many. Six volumes have told the story of becoming a local. Whatever comes next, Local Studies will always first stand for focusing locally.

What “local” means.
A place, and a set of relationships, radiating outward: one's own body and experience → wife and children → friends, neighbors, community → the land itself.
Part three · values

The Purpose

Local Studies stands for making art, revering the body, and revering the Earth. The wish for every reader: to leave changed in at least one direction — to make more, to explore the ground beneath them, to move more; or to travel less and know home better.

THE STACK · IN ORDER
01Local first.
The root and the compass. Focus locally, and life improves — the body, the household, the neighbors, the land.
02Revere the body.
Bodies are built to move.
03Revere the Earth.
The weather is interesting. Nature is the gallery.
04Make art.
Photography as a discipline, not a reflex. Every page in service of the work, none of it in service of a sale.
BELIEFS
“Quality demands attention.”
In a world that is short on attention, quality is an ally. Moved here from the values, at Sam's call.
“The point is the process.”
Beloved — but how the art gets made, not what the brand believes.
“Constraint is beneficial.”
Likewise: a tool of the maker, not a tenet of the magazine.
Part four · how it works

A Picture-Driven Weather History in a Magazine

Local Studies exists to draw people toward the land they live on: images that make them want to be out in it, to love it, and so to tend it. And to tune them to the turning of the weather — summaries and pictures that make the changing of a landscape a thing worth watching, until the question of a changing climate arrives on its own, and with it, perhaps, the will to act. A physical object of real quality is the surest way to earn that kind of attention.

Climate is the ground, not the headline.
The conversation about a changing climate is being had in many rooms. Local Studies doesn't need to name it as the point. “It is a given. I can't imagine anyone thinking Local Studies doesn't stand for considering human impact on the Earth.”
THE SIMPLE REASON TO OWN IT

Everyone calls 2016–17 the best snow year in memory. But what was it, actually? Steady snow, or weekly dumps for a season? Where did it fall — in town, or only up high? Was there less wind? Did the cold hold it? Did the clouds keep it? Were the south faces ever bare? And 2025–26, which everyone calls terrible — the truth is more nuanced than the verdict.

Local Studies is the reference point: what each season actually looked like, and felt like, kept.

Part five · character & voice

Voice

“Local Studies is beautiful, but subtle. Simple, yet deep. Thoughtful and deliberate, while also taking action to learn. Introverted, yet made richer through its connections. Curious, but also committed.”

VOICE · TWO REGISTERS
Straightforward.
Not flowery. Not too clever. Just what is.
The essay voice.
Sam's inner weather, as the clearest version of himself would say it. In Volume 7 it steps back to an introduction and lets the season carry the book.
The weather voice.
The facts, plainly. What resonates the most right now: speaking to friends — a really broad array of friends, all capable of receiving Sam exactly as he is.
WHAT IT IS NOT
Not big. Not shiny.
Not loud. Subtle — quietly, but seriously.
Not about having it all.
Not about more. Smallness, held on purpose — a smaller focus, more consistency, and fulfillment found there.
Not about the outcome — about the process.
Move slowly enough that the next obvious step reveals itself, then take it. What comes, comes.
Not online. Mostly.
Still open. Online marketing is a tool, often an effective one — but there is a discipline, and a statement of values, in staying offline.
Part six · differentiation

Points of Differentiation

01The combination.
Weather, as the subject. Art, as the form. One place, one time period, as the frame. No one else holds all four at once. “This resonates the most.”
02Weather as the subject.
Almost no publication does this. The American Avalanche Association's winter magazine comes closest — but belongs to no single place.
03Quality without compromise.
Smyth-sewn. Embossed cover. 100% recycled stock. Fully offset from Volume 7. Soft-touch laminate. Printed in the USA. Few magazines clear that bar — no outdoor magazine does. Even The Surfer's Journal falls short on recycled paper, and prints in China.
04No ads.
A magazine as a piece of art, instead of a means of advertising. The Surfer's Journal makes its ads tasteful and relevant, and a functioning business model is necessary for these things to live — Local Studies simply carries none.
SECTION 06

POSITIONING V2

A second pass at the same truths, on a proven skeleton — brand foundation, equity, beliefs, points of differentiation, values, character, voice, and the reader. Section 05 stands as written; this reframes it.

Brand foundation

Brand
Foundation

What is the true core of Local Studies? The brand foundation keeps the magazine honest to how it began — one person, one place, one season — while building the durable elements it needs to become the record.

1.Brand equity
2.Values
3.Beliefs
4.Character
5.Points of differentiation
Brand foundation

Welcome
to Local Studies

A picture-driven weather history of the Central Idaho mountains.

Local Studies is a coffee-table magazine that reflects on the weather history of the Central Idaho mountains — large-format photography, monthly weather data, every photograph taken by a human from the ground, printed on 100% recycled paper. It is made by one person: Local Studies is Sam. This publication is made for friends, with a few copies available in local stores.

Local Studies interior — Volume 6
Vol 6 · May
Brand foundation

Brand Equity

01PurposeWhy
we exist
My life will improve if I focus locally. Local Studies exists to do meaningful work — to leave the world a little better than it was found — and its maker makes it to feel good as a human.
02MissionWhat
we do
Local Studies captures the weather history of its area — a picture-driven record of the Central Idaho mountains, made by one person, through human-powered movement, one season at a time.
03VisionWhere we
are going
No decade planned ahead — that intimidates more than it inspires. The next obvious step, issue by issue: get Volume 7 out, then a spacious year to Volume 8. Sharing what its maker loves with friends — that is enough.
Brand foundation

Brand Beliefs

LOCAL
My life will improve if I focus locally — on the body, the household, the neighbors, the land. Attention paid close to home is where reverence begins, and it is what lets you see what could be made more beautiful.
PROCESS
The practice is to move slowly enough that the next obvious step reveals itself, then take it. Outcomes are not forced; they unfold. The point is the process, and the process is the art.
QUALITY
Quality demands attention. In a world that is short on attention, quality is an ally.
WEATHER
Weather is the lens through which Sam watches the land change. What is loved gets tended — and noticing the weather is the first step toward caring for the place it falls on.
Volume 6 cover
Vol 6 · Summer 2025
Brand foundation
Volume 6 weather data page
Vol 6 · weather data page

POD

THE COMBINATION
Weather as the subject, art as the form, one place and one time period as the frame. No other publication holds all four at once — this is the corner no one else occupies.
WEATHER AS THE SUBJECT
Almost no magazine takes weather itself as its subject. The one that comes closest belongs to no single place. Local Studies belongs to one valley, and watches it.
QUALITY WITHOUT COMPROMISE
Smyth-sewn, embossed, printed on 100% recycled stock in the USA, fully offset from Volume 7. Few magazines clear that bar and no outdoor magazine does — the object itself is part of the argument.
NO ADS
A magazine as a piece of art, instead of a means of advertising.
Brand foundation

Values

LOCAL FIRST
Focus close to home; everything else follows.
REVERE THE BODY
Bodies are built to move.
REVERE THE EARTH
The weather is interesting. Nature is the gallery.
MAKE ART
Treat photography as a discipline, not a reflex.
Volume 5 November opener
Vol 5 · November
Brand foundation
Volume 5 cover
Vol 5 · Winter 2024–25

Our Character

SUBTLE
Local Studies is beautiful, but subtle. Simple, yet deep. It doesn't raise its voice; quietly, but seriously, it lets the work stand in front of the people it's for.
DELIBERATE
Thoughtful and measured, while still taking action to learn. Introverted, yet made richer through its connections. Curious, but also committed — knowing its tools, fixing what it owns, following the weather because livelihood depends on it.
Brand foundation

Tone of Voice

Local Studies may be a magazine about the mountains, but it doesn't sound like an adventure title. The subject is the weather and the land, not the human conquering them — and the voice follows the subject.

The voice is rooted in honest observation — sober, yet warm. It is one person speaking — to friends.

+Straightforward — not flowery, not too clever. Just what is.
+The weather voice is the facts, plainly; the essay voice is one person's inner experience, edited hard.
+Human, flawed, and trying its best — never holier-than-thou.
Volume 1 interior
Vol 1 · Winter 2022–23
Brand foundation · voice
It isSubtle,notLoud
It isLocal,notGlobal
It isConstrained,notMore
It isProcess,notOutcome
It isWitnessing,notConquering
Character: the reader

The Friend

Local Studies is speaking to friends. A really broad array of friends — hard to speak to all of them at once, but that is what it has done so far, and the hope is they are more and more on board with the work, all capable of receiving Sam exactly as he is.

Local friends included — though locals here are mostly content with what they have. They don't need inspiration to love this place; they just love it. There are other versions: second-home owners who come less frequently, people hustling with city work who need the reminder to be still here. And tourists who aspire to and revere locals — by the sales data, the most likely to buy the thing.

Which leads back to the start: just focus on sharing what is loved, with friends. That is enough.

This publication is made for friends, with a few copies available in local stores — majority gifting, with the opportunity for serendipity.

Volume 4 back cover art
Vol 4 · back cover
Character: the reader
Volume 2 interior — Idaho
Vol 2 · Summer 2023
THE COFFEE TABLE
About 300 people have Local Studies right now — and around 150 copies sit on coffee tables. Most were gifted, and most of those people know Sam personally. That matters so much: there has to be deep pride for coffee-table status.
Inevitably, the work is shared with others who see it on a table — and shared fully, with passion, because it comes from someone with a direct connection.
With this in mind: permission, as an artist, to keep things subtle. No shouting at the masses trying to convince them this is important work.
WHAT THE SALES DATA SAYS
Volume 6 sold 20 copies at Maude's — the trendy coffee shop where most tourists go — by a large margin the highest of any store.
Selling has felt mostly like a net negative: it forces phone-checking, and “do people want this?” — where gifting to people Sam loves makes it obvious the work is a masterpiece in his little world.
SECTION 07

BRAND EXPLORATION

Working studies toward the Volume 7 system. Nothing here is a recommendation yet — it is the range, laid out at one scale so the eye can do the choosing.

Part one · the wordmark

Logo

The current mark, then 65 typographic variations of it — same all-caps, same wide-set quiet, same scale — from Caslon's nearest cousins to the sharpest contemporary display serifs. All true vectors. Scroll.

Shortlist Tick Sam or Steve beside any option below — it appears here.

Sam

— nothing yet —

Steve

— nothing yet —
Refinement · the shortlist, in weights & trackingThe faces you and Sam both picked (13 Athelas · 28 Tiempos Text · 31 Domaine Display · 52 GT Alpina Fine) plus Steve's flagged set (50 GT Alpina · 59 GT Super · 64 GT Ultra) — each in its available weights, at tracking 0 / −3 / −5. Tick to shortlist a specific cut.
00Current mark — for reference
13 Athelassystem
R0213 Athelas Regular · tracking −3system
31 Domaine DisplayKlim
R1931 Domaine Display Medium · tracking 0Klim · licensed
50 GT AlpinaGrilli Type
R2250 GT Alpina Regular · tracking 0Grilli Type · licensed
59 GT SuperGrilli Type
R3459 GT Super Text Book · tracking 0Grilli Type · licensed
64 GT UltraGrilli Type
R4364 GT Ultra Fine · tracking 0Grilli Type · licensed
R4664 GT Ultra Median · tracking 0Grilli Type · licensed
The long listthe original sweep — all faces, one cut each
00 · CurrentAdobe Caslon Pro Regular — outlines lifted from the Volume 6 front cover
Set one · open-source & system serifs01–25 · Caslon-adjacent → old-style → transitional → contemporary → high-contrast display
01 Libre Caslon Displayopen-source display Caslon — the closest cousin, sharpenedopen / system
02 Big CaslonCaslon at display scale — sharper, more contrastopen / system
03 EB Garamondwarmer, older, more humanistopen / system
04 Cormorant Garamondtall, elegant, high-contrast Garamondopen / system
05 Spectralcontemporary screen-first serifopen / system
06 Newsreadermodern editorial, optical-size displayopen / system
07 Literatamodern book serif, quietly distinctiveopen / system
08 Crimson Proold-style, soft, literaryopen / system
09 Cardoscholarly, Bembo-adjacentopen / system
10 Sorts Mill GoudyAmerican oldstyle, gentleopen / system
11 Baskervilletransitional, crisp, Englishopen / system
12 Libre BaskervilleBaskerville, wider and sturdieropen / system
13 Athelascontemporary book serif, refinedopen / system
14 Chartersturdy, modern, low-contrastopen / system
15 CochinFrench, calligraphic, distinctiveopen / system
16 Hoefler TextAmerican classic, rich detailopen / system
17 Bodoni 72modern high-contrast, magazineopen / system
18 Bodoni Modamodern Bodoni, display-tunedopen / system
19 Didotfashion-editorial, hairline serifsopen / system
20 Playfair Displayhigh-contrast transitional displayopen / system
21 Frauncessoft-serif, contemporary characteropen / system
22 PrataDidone warmth, single weightopen / system
23 DM Serif Displaybold modern display serifopen / system
24 Gilda Displaydelicate, hairline displayopen / system
25 Instrument Serifcondensed contemporary displayopen / system
Set two · Klim Type Foundryklim.co.nz · commercial — license before use
26 Tiempos Headlinethe modern editorial serif — NYT Mag lineageKlim · licensed
27 Tiempos Headline Lightsame, lighter — airier, more displayKlim · licensed
28 Tiempos Textthe reading cut — sturdier at sizeKlim · licensed
29 Tiempos Finehairline display Tiempos — magazine coverKlim · licensed
30 Domaine DisplayScotch-modern display, ball terminals, editorialKlim · licensed
31 Domaine Display MediumDomaine with more presenceKlim · licensed
32 Domaine Textthe text cut — calmer, wider fitKlim · licensed
33 Signifierbrutalist Caslon revival — 17th c. cuts, cold and modernKlim · licensed
34 Signifier LightSignifier at display weight — the sharpest Caslon descendant hereKlim · licensed
35 Financier DisplayFT Weekend heritage — refined transitionalKlim · licensed
36 Martina PlantijnPlantin/Times lineage, contemporary redrawKlim · licensed
Set two · Pangram Pangrampangrampangram.com · commercial — license before use
37 PP Editorial Newultra-light modern editorial — the ‘new’ display serifPangram Pangram · licensed
38 PP Editorial New RegularEditorial New at book weightPangram Pangram · licensed
39 PP Editorial Oldthe old-style sibling — softer, warmerPangram Pangram · licensed
40 PP Fragment Seriffragmentary serif, contemporary characterPangram Pangram · licensed
41 PP Fragment GlareFragment’s sharper display cutPangram Pangram · licensed
42 PP Fragment TextFragment’s reading cutPangram Pangram · licensed
43 PP Gatwicktransitional serif with a modern spinePangram Pangram · licensed
44 PP Gatwick GliderGatwick’s lighter, wider optical cutPangram Pangram · licensed
45 PP Gatwick JumboGatwick tuned for large displayPangram Pangram · licensed
46 PP Hattonhigh-contrast Didone-flavored displayPangram Pangram · licensed
47 PP Hatton LightHatton, lighterPangram Pangram · licensed
48 PP Pangaiacalligraphic humanist serif, organicPangram Pangram · licensed
49 PP Acmaangular contemporary serifPangram Pangram · licensed
Set two · Grilli Typegrillitype.com · commercial — license before use
50 GT Alpinathe workhorse serif redrawn — crisp, Swiss, modernGrilli Type · licensed
51 GT Alpina MediumAlpina with more weightGrilli Type · licensed
52 GT Alpina FineAlpina’s high-contrast display cutGrilli Type · licensed
53 GT Alpina Fine LightFine, lighter — the most delicate GTGrilli Type · licensed
54 GT Alpina Condensednarrow Alpina — taller, tighter markGrilli Type · licensed
55 GT Alpina Extendedwide Alpina — very wide-set, very quietGrilli Type · licensed
56 GT Alpina Typewritermonospaced Alpina — field-instrument voiceGrilli Type · licensed
57 GT Super Display70s display serif energy, contemporaryGrilli Type · licensed
58 GT Super Display LightSuper, lighterGrilli Type · licensed
59 GT Super TextSuper’s reading cutGrilli Type · licensed
60 GT Sectra Displaybroad-nib meets scalpel — sharp, distinctiveGrilli Type · licensed
61 GT Sectra FineSectra’s finest display cutGrilli Type · licensed
62 GT Sectra BookSectra’s reading cutGrilli Type · licensed
63 GT Ultra Finefine-serif on a grotesk skeleton — hybrid, modernGrilli Type · licensed
64 GT Ultra MedianUltra midway between fine and standardGrilli Type · licensed
65 GT Ultra StandardUltra’s sturdier cutGrilli Type · licensed

SET TWO ARE COMMERCIAL TYPEFACES · SHOWN FOR EXPLORATION · THE CHOSEN FAMILY IS LICENSED BEFORE IT SHIPS

Part two · the object

Cover + Spine

Sam's Volume 7 cover, v1 — the full wrap: back, spine, front — then 20 typographic layouts on the same two photographs. Nothing about the images changes; only where the type sits, how big, and in what voice. Tick to shortlist.

Cover shortlist Tick Sam or Steve beside any layout below — it appears here.

Sam

— nothing yet —

Steve

— nothing yet —
00 · CurrentSam Solie — Volume 7 cover v1 (as sent, PDF)
Local Studies Volume 7 cover v1 by Sam Solie
Type extracted as live vector on the same plates — the working base for every layout below
Measured from the file: front wordmark 37.8 pt cap · spine wordmark 7.2 pt reading downward · spine numeral 21.5 pt Didot · back wordmark 14.2 pt + 42 pt numeral · "volume 7" bottom-right
Adobe Caslon Pro Regular
Wordmark, all panels.
Didot Bold
Numerals.
Two photographs
Back: skier in flat light. Front: the skinner. Both untouched in every variation.
Refinement · the shortlistPicked so far: 05 Signifier + descriptor (Sam ✚ Steve) · C02 Skyline band and C05 Spine seam (Sam). Below, eight front-cover refinements of 05 — the rule cut to the mark's width, the descriptor tried in mono and in Signifier, the 7 returned to the lower-right corner, five spacing treatments plus three hairline-frame options after 20. Back cover and spine held as picked. Tick to shortlist.
05 · Signifier + descriptorpicked by Sam and Steve — the base for the refinements below
C02 · Skyline bandSam's pick — contour set
C05 · Spine seamSam's pick — contour set
F01 Athelastracked out +5; rule→subtitle gap +10%; volume word removed; the 7 at the back-cover 42.3
F09 Athelas · silver foilF01 in silver foil; the corner 7 foiled too; the back a barely-there giant 7 over the photograph
F02 Domaine Mediumtracked out +10; VOLUME rotated, dropped to the 7’s foot, in the subtitle face and size
F03 GT Alpinavolume word removed — the 7 alone
F04 GT Super, underlinesame-face caps subtitle; the 7 up to the back-cover 42.3, underlined
F05 GT Ultra Fine, big 7underline removed; VOLUME rotated to the 7’s foot in Fragment Mono at the subtitle size
F06 Framed · Ultra Medianframe; volume word removed; the 7 at the back-cover 42.3 inside the frame corner
F08 Framed · Athelas, centredframe; Alpina Typewriter subtitle; VOLUME over the 7, centred above the frame foot, underlined
Set one · typographic layouts01–20 · type moves, photographs don't
01 Wordmark highMark at the top of the cover; volume line in mono at the foot
02 Quiet cornerMark small, top-left; volume as a mono tag opposite — the field-notebook read
03 The numeralVolume number as the cover image; wordmark reduced to a signature at the foot
04 Tiempos, flush leftOne line of Tiempos Headline in the top-left corner — editorial, modern
05 Signifier + descriptorSam's one-line mission set under the mark, ruled — Signifier throughout
06 Vertical markWordmark runs down the front-left edge like the spine; numeral holds the corner
07 Editorial New, largeUltra-light display serif at magazine scale — the modern-indie cover
08 DiagonalMark anchors bottom-left, numeral top-right — the eye crosses the photograph
09 Paper bandA white masthead band — type never fights the photograph
10 Alpina Fine, trackedHairline serif with wide letterspacing — airy, contemporary
11 Across the foldLOCAL on the back, STUDIES on the front — the object reads as one wrap
12 Mark + descriptorThe mission line lives on the cover; mark becomes a caption
13 Ghost numeralCurrent layout, with a translucent 7 filling the sky behind
14 One line, footMark and volume on a single baseline at the foot — sky left untouched
15 Stacked, Signifier, rightRight-set stack in Signifier; numeral answers bottom-left
16 Mark + numeral lockupLOCAL STUDIES with the numeral centred beneath it — the two read as one mark
17 Field instrumentMonospaced serif system, data-page voice — the weather-station cover
18 In the skyMark dropped into the cloud band, off the trim — sits inside the photograph
19 Ink on snowDark type set on the snowfield rather than white on sky — the print-on-paper read
20 Framed, restrainedA hairline frame and a small mark — the Surfer's Journal register
Set two · contour overlaysC01–C12 · Sam's v1 layout held; a vector topographic field laid over corners, edges and seams — colors, weights and transparencies vary. The contour is the deck's own linework thread: contours are frozen waves.
C01 Corner field, whiteBottom-left of the front: white hairlines fading toward the skinner
C02 Skyline band, whiteA field across the top of the back cover and spine — white, dissolving downward; the front stays clean
C03 Back cover mapThe back panel becomes the map — full-bleed white contours, barely there; front untouched
C04 Corner, sageTop-right of the front in the magazine's sage — heavier index lines, wordmark rides over it
C05 Spine seamA light topographic seam on the paper spine only — soft enough that the spine type stays legible
C06 Bloom, orangeA soft bloom of lines rising from the bottom-left in the track orange, under the skin track
C07 Ring around the skierOn the back cover, contours emerge in a ring around the figure and fade at the centre and edges; the front stays clean
C08 Two corners, two colorsBottom-left of the back in yellow, bottom-right of the front in magenta — the Vol 6 track palette
C09 VeilA dense, hairline field over both covers — reads as paper texture until you look
C10 Weather in the skyWhite contours only in the sky — an isobar map dissolving at the ridgeline; wordmark sits inside it
C11 Bloom, greenA big green bloom rising from the front's lower-left — spring green against snow, the freshest read
C12 Ground line, greenGreen contours across the bottom of both covers, dissolving upward — green as the land
Set three · the objectO01–O10 · after The Surfer's Journal — the photograph placed, not bled: paper grounds, colour fields, the print as a thing laid on the cover. The reference tier's own lesson: the object is the strategy.
O01 The swatchAfter The Surfer's Journal — paper ground, torn orange field, the photograph as a print laid on it, a field caption, a small numeral
O02 Offset block, sageA tall print with a sage block slipped behind it — the shadow of the object
O03 Polaroid on yellowThe photograph as a print with its own white margin and caption, dropped on a torn yellow field
O04 Half and halfPaper above, photograph below — the wordmark holds the paper half, contours whisper behind it
O05 Square + stackA square photograph up top, the name stacked huge beneath, a magenta bar at the foot
O06 Floating printThe photograph floats in paper with room all round; a large translucent numeral in the margin; contours as paper texture
O07 Editorial bandA landscape crop banded across the middle of both covers; name above, descriptor beneath, numeral at the foot
O08 Swatch low, name highTorn orange field low-left carrying the print; the name stacked top-right; green contours faint in the paper
O09 Ink groundThe same object logic on an ink ground — a print behind a hairline, white name, faint white contours
O10 Volume 1 homageNo photograph on the front — Vol 1's sage paper and a drawn study-area outline; the photograph lives on the back

LAYOUTS + OVERLAYS + OBJECT STUDIES · PHOTOGRAPHS UNCHANGED (PLACED, CROPPED, NEVER ALTERED) · CONTOUR FIELDS ARE PROCEDURAL VECTOR (OURS, NOT STOCK) · WHERE A VARIATION USES A FOUNDRY FACE (SIGNIFIER, TIEMPOS, ALPINA, EDITORIAL NEW) IT IS SHOWN FOR EXPLORATION AND LICENSED BEFORE USE

Part three · the pages

Page Design

Volume 7's interior as it stands — the first 43 pages of Sam's v10 file, read for layout rather than content. Every distinct page design, shown once: 11 types across 43 pages. This is the current system, the baseline the page explorations will work from. Where two pages share a layout and differ only in photograph or text, one stands for both.

Colophon
01Colophonp. 1
A short block of small text set left of centre on an otherwise empty white page — what the magazine is, how many photos, how it was made. Appears once.
Contents
02Contentsp. 2
Hairline table of contents, centred, set tiny: month names with page numbers, italic sub-entries. Appears once.
The letter
03The letterp. 3
"Dear friends," in italic display, then one justified column of body text with a handwritten sign-off. The only editorial page in Sam's own voice. Appears once.
Month opener
04Month openerp. 4
The month in large serif caps, then three stacked charts (temperature, snow-water equivalent, wind) with a footnote line. The data page that starts each month. Recurs: p. 20.
Month essay
05Month essayp. 5
Two justified columns of body text, set low on the page with the top third left white. Recurs: p. 21 (with a small inline data table).
Single photo · corner caption
06Single photo · corner captionp. 8
Portrait photograph inset with even white margins; caption overlaid inside the image in a bottom corner (left or right, alternating). Verso carries the month as running foot, recto the page number. The workhorse: pp. 8, 9, 12, 13, 16, 17, 22, 23, 28, 29, 32, 41 — also used as facing pairs (28–29).
Single photo · caption below
07Single photo · caption belowp. 33
Same inset photograph, but the caption sits in the white margin under the image instead of on it. Recurs: p. 36.
Single photo · annotated
08Single photo · annotatedp. 37
The snowpit: typeset labels placed on the photograph itself (dates, layers), caption below. Appears once — the magazine's one diagrammatic page.
Single photo · text overlaid
09Single photo · text overlaidp. 40
A short paragraph set into the top-right of the image, with a caption elsewhere. The text is part of the picture. Appears once.
Photo spread · corner caption
10Photo spread · corner captionpp. 6–7
One photograph across the gutter, inset with white margins on both pages; caption overlaid bottom-right of the recto; month foot on the verso, page number on the recto. The second workhorse: pp. 6–7, 10–11, 14–15, 16–17, 24–25, 26–27, 30–31, 34–35, 38–39, 42–43.
Photo spread · essay overlaid
11Photo spread · essay overlaidpp. 18–19
The spread, with a full paragraph of body copy set into the sky at top-left of the verso. Appears once.

SOURCE: "LOCAL STUDIES, VOLUME 7 TEXT, 9×12, V10 (FOR STEVE)" · PP. 1–43 · TWO WORKHORSES (SINGLE PHOTO, PHOTO SPREAD) CARRY 33 OF 43 PAGES · NINE OTHER TYPES APPEAR ONCE OR TWICE · VERSO RUNS THE MONTH AS FOOT, RECTO THE PAGE NUMBER

Part four · the colours

Color Palette

Eight colours, every one sampled from a photograph in Volume 7 — the aurora, the sunsets, the sky, the ground. Nothing invented, nothing adjusted: each swatch is the pixel under the ring in the photograph beside it, chosen for the boldest and most diverse set the book already contains. The palette is the magazine's own light, named. Drag any ring to re-sample — the swatch and the strip follow, and the move is kept for next time.

#9D1A3C
#7AA52E
#FFC550
#FD8D59
#567CD4
#133F78
#7EC2F1
#8B6038
THE PALETTE AT A GLANCE · IN THE ORDER BELOW
Aurora — photograph, p. 10
AURORA#9D1A3C
01Aurorap. 10
The northern lights over the power line, November — the red curtain itself.
RGB 157 · 26 · 60
Aurora Green — photograph, p. 11
AURORA GREEN#7AA52E
02Aurora Greenp. 11
The same night, facing page — the green band where the aurora meets the ridge.
RGB 122 · 165 · 46
Sunset Gold — photograph, p. 26
SUNSET GOLD#FFC550
03Sunset Goldp. 26
The December sunset spread — the brightest band of sky above the ridge.
RGB 255 · 197 · 80
Sunset Coral — photograph, p. 26
SUNSET CORAL#FD8D59
04Sunset Coralp. 26
The same sunset, lower in the sky — where gold turns to coral.
RGB 253 · 141 · 89
Hoarfrost — photograph, p. 23
HOARFROST#567CD4
05Hoarfrostp. 23
The sky behind the rimed branches — a violet winter blue.
RGB 86 · 124 · 212
Bluebird — photograph, p. 38
BLUEBIRD#133F78
06Bluebirdp. 38
The deep December sky over the skin track — the darkest clear sky in the book.
RGB 19 · 63 · 120
Dawn — photograph, p. 17
DAWN#7EC2F1
07Dawnp. 17
The pale band of sky over the Boulders at sunset, November.
RGB 126 · 194 · 241
Valley Ochre — photograph, p. 6
VALLEY OCHRE#8B6038
08Valley Ochrep. 6
The November valley floor in the opening spread — the colour of the ground before snow.
RGB 139 · 96 · 56

SOURCE: "LOCAL STUDIES, VOLUME 7 TEXT, 9×12, V10 (FOR STEVE)" · SAMPLED FROM THE PHOTOGRAPHS AS PRINTED IN THE FILE · WHITE RING = SAMPLE POINT, DRAGGABLE · HEX AND RGB ARE THE SAMPLED VALUES (3×3 PIXEL MEAN), UNRETOUCHED · PHOTOGRAPHS UNCHANGED

Part five · the pages, redesigned

New Page Design

Every page type from Volume 7, redrawn ten or more ways. Each group starts with Sam's current page and the references it draws on, then ten layouts built from his own photographs and words — the colour pages take their grounds from the eight sampled colours. Typography is pushed on purpose: Fraunces, Bodoni Moda, Instrument Serif, Archivo Narrow, Syne, Space Grotesk, mono. Click any page to see it large. Tick to shortlist — picks are shared.

Page shortlist Tick Sam or Steve beside any layout below — it appears here.

Sam

— nothing yet —

Steve

— nothing yet —
Refinement · the yellow setFour pages carried forward on the Sunset Gold ground — the colophon with the season’s numbers, the contents ledger, Sam’s complete letter set verbatim, and the month opener with his real graphs. Tick to shortlist.
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
Y01Colophon + the season in numbers
A14 tightened; the trip data as a ruled ledger at the foot (Vol 7 totals) · from A14
May The Green Dragon4
June sharing26
July process50
August other updates76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Y02Contents ledger
B14 tightened — rules heavier, numerals aligned, sub-entries on the baseline · from B14
VOL. 7
INTRO

— writing
is hard

— a tool for
my continued
unfolding

— With hope
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
Y03The letter, complete
C08 on gold — Sam’s full intro, verbatim from the v10 file, two columns with margin notes · from C08
November
11
Temperature · Snow Water Equivalent · Wind speed
Y04November, the real charts
D07 on gold — Sam’s own graphs dropped in (transparent), the month vertical, a bold 11 · from D07
Refinement · the wine setThe same four pages on the dark red Steve re-sampled on the Color Palette page (Aurora, moved — #520020): the A03 colophon, the B11 contents poem with the imprint, the C03 giant salutation carrying Sam’s complete letter, and the D12 index with his real graphs.
VII

LOCAL STUDIES is a picture-driven weather history of the Central Idaho mountains, through the lens of human powered movement. Each issue is singular – all photos, art and writing are done by one person, in one ~50-square-mile place, during one 6-month period of time.

The photos in Volume 7 were shot over 60 adventures, which required 113,700 feet of human powered ascent and 2,321 miles of driving. No music or podcasts were consumed during any of the adventures, and no wearables were worn to collect health data.

This issue is printed on FSC certified paper made of 100% recycled material. Outside of sharing with family and friends, distribution is focused locally, with the majority of issues going out thanks to the help of local stores. No online marketing or social media is used to promote this work.

LOCAL STUDIES · VOLUME 7
P01Colophon · VII
from A03 — the roman numeral over the centred colophon · from A03
May4
June26
July50
August76
September98
October122
INTRO 3
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7
P02Contents poem
from B11 — the months stacked, the imprint at the foot · from B11
Dear
friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
P03The letter · giant salutation
from C03 — “Dear friends,” at display scale; Sam’s complete intro, verbatim, in three columns · from C03
Temperature1
Snow Water Equivalent2
Wind speed3
November
11
Temperature · Snow Water Equivalent · Wind speed
P04November index
from D12 — dotted-leader index, Sam’s real graphs, the giant 11 · from D12
Refinement · the black setThe same four pages on ink — the Coral accents carried from B11 and D12’s original dark pages.
VII

LOCAL STUDIES is a picture-driven weather history of the Central Idaho mountains, through the lens of human powered movement. Each issue is singular – all photos, art and writing are done by one person, in one ~50-square-mile place, during one 6-month period of time.

The photos in Volume 7 were shot over 60 adventures, which required 113,700 feet of human powered ascent and 2,321 miles of driving. No music or podcasts were consumed during any of the adventures, and no wearables were worn to collect health data.

This issue is printed on FSC certified paper made of 100% recycled material. Outside of sharing with family and friends, distribution is focused locally, with the majority of issues going out thanks to the help of local stores. No online marketing or social media is used to promote this work.

LOCAL STUDIES · VOLUME 7
N01Colophon · VII
from A03 — the roman numeral over the centred colophon · from A03
May4
June26
July50
August76
September98
October122
INTRO 3
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7
N02Contents poem
from B11 — the months stacked, the imprint at the foot · from B11
Dear
friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
N03The letter · giant salutation
from C03 — “Dear friends,” at display scale; Sam’s complete intro, verbatim, in three columns · from C03
Temperature1
Snow Water Equivalent2
Wind speed3
November
11
Temperature · Snow Water Equivalent · Wind speed
N04November index
from D12 — dotted-leader index, Sam’s real graphs, the giant 11 · from D12
A · Colophonp. 1
current
00 · Current — Sam’s pagethe small page that says what the magazine is. Sam sets one block left of centre on white; the references go dark, red, gridded, and data-led.

LOCAL STUDIES is a picture-driven weather history of the Central Idaho mountains, through the lens of human powered movement. Each issue is singular – all photos, art and writing are done by one person, in one ~50-square-mile place, during one 6-month period of time.

The photos in Volume 7 were shot over 60 adventures, which required 113,700 feet of human powered ascent and 2,321 miles of driving. No music or podcasts were consumed during any of the adventures, and no wearables were worn to collect health data.

This issue is printed on FSC certified paper made of 100% recycled material. Outside of sharing with family and friends, distribution is focused locally, with the majority of issues going out thanks to the help of local stores. No online marketing or social media is used to promote this work.

Local Studies · Volume 7
1
A01Ledger
tiny mono block, bottom-left, one hairline — the quietest version of Sam’s page
LOCAL STUDIES

LOCAL STUDIES is a picture-driven weather history of the Central Idaho mountains, through the lens of human powered movement. Each issue is singular – all photos, art and writing are done by one person, in one ~50-square-mile place, during one 6-month period of time.

The photos in Volume 7 were shot over 60 adventures, which required 113,700 feet of human powered ascent and 2,321 miles of driving. No music or podcasts were consumed during any of the adventures, and no wearables were worn to collect health data.

This issue is printed on FSC certified paper made of 100% recycled material. Outside of sharing with family and friends, distribution is focused locally, with the majority of issues going out thanks to the help of local stores. No online marketing or social media is used to promote this work.

1
A02Black page
ink ground, paper serif with a Sunset Gold label — after the editor’s page (7054), lifted for contrast
VII

LOCAL STUDIES is a picture-driven weather history of the Central Idaho mountains, through the lens of human powered movement. Each issue is singular – all photos, art and writing are done by one person, in one ~50-square-mile place, during one 6-month period of time.

The photos in Volume 7 were shot over 60 adventures, which required 113,700 feet of human powered ascent and 2,321 miles of driving. No music or podcasts were consumed during any of the adventures, and no wearables were worn to collect health data.

This issue is printed on FSC certified paper made of 100% recycled material. Outside of sharing with family and friends, distribution is focused locally, with the majority of issues going out thanks to the help of local stores. No online marketing or social media is used to promote this work.

LOCAL STUDIES · VOLUME 7
A03Full-bleed Aurora
the colophon as a red page, white type centred, the volume numeral large — after 7056 / 7147
Local Studies · Volume 7
60
adventures
113,700
vertical feet
2,321
miles of driving
1
person
~50
square-mile place
6
month period

LOCAL STUDIES is a picture-driven weather history of the Central Idaho mountains, through the lens of human powered movement. Each issue is singular – all photos, art and writing are done by one person, in one ~50-square-mile place, during one 6-month period of time.

This issue is printed on FSC certified paper made of 100% recycled material. Outside of sharing with family and friends, distribution is focused locally, with the majority of issues going out thanks to the help of local stores. No online marketing or social media is used to promote this work.

1
A04Grid card
the facts broken into a grid of labelled cells — after the gallery card (7131)
7

LOCAL STUDIES is a picture-driven weather history of the Central Idaho mountains, through the lens of human powered movement. Each issue is singular – all photos, art and writing are done by one person, in one ~50-square-mile place, during one 6-month period of time.

The photos in Volume 7 were shot over 60 adventures, which required 113,700 feet of human powered ascent and 2,321 miles of driving. No music or podcasts were consumed during any of the adventures, and no wearables were worn to collect health data.

LOCAL STUDIES · VOLUME 7
1
A05Ghost numeral
a Dawn-blue 7 fills the page; the text runs over its foot
LOCAL STUDIES is a picture-driven weather history of the Central Idaho mountains, through the lens of human powered movement. Each issue is singular – all photos, art and writing are done by one person, in one ~50-square-mile place, during one 6-month period of time. · The photos in Volume 7 were shot over 60 adventures, which required 113,700 feet of human powered ascent and 2,321 miles of driving. No music or podcasts were consumed during any of the adventures, and no wearables were worn to collect health data. · This issue is printed on FSC certified paper made of 100% recycled material. Outside of sharing with family and friends, distribution is focused locally, with the majority of issues going out thanks to the help of local stores. No online marketing or social media is used to promote this work.
Local Studies
1
A06Running foot
the whole colophon set as one small-caps line across the foot of an empty page
LOCAL STUDIES is a picture-driven weather history of the Central Idaho mountains, through the lens of human powered movement. Each issue is singular – all photos, art and writing are done by one person, in one ~50-square-mile place, during one 6-month period of time. The photos in Volume 7 were shot over 60 adventures, which required 113,700 feet of human powered ascent and 2,321 miles of driving. No music or podcasts were consumed during any of the adventures, and no wearables were worn to collect health data. This issue is printed on FSC certified paper made of 100% recycled material. Outside of sharing with family and friends, distribution is focused locally, with the majority of issues going out thanks to the help of local stores. No online marketing or social media is used to promote this work.
LOCAL STUDIES
Volume 7 · Central Idaho
1
A07Spine
the text rotated up the outer edge, a wordmark at the foot — the page as a spine

LOCAL STUDIES is a picture-driven weather history of the Central Idaho mountains, through the lens of human powered movement. Each issue is singular – all photos, art and writing are done by one person, in one ~50-square-mile place, during one 6-month period of time.

The photos in Volume 7 were shot over 60 adventures, which required 113,700 feet of human powered ascent and 2,321 miles of driving. No music or podcasts were consumed during any of the adventures, and no wearables were worn to collect health data.

This issue is printed on FSC certified paper made of 100% recycled material. Outside of sharing with family and friends, distribution is focused locally, with the majority of issues going out thanks to the help of local stores. No online marketing or social media is used to promote this work.

Vol. 7
1
A08Split ochre
left half Valley Ochre, text in white on the colour, nothing on the white
LOCAL STUDIES is a picture-driven weather history of the Central Idaho mountains, through the lens of human powered movement. Each issue is singular – all photos, art and writing are done by one person, in one ~50-square-mile place, during one 6-month period of time.
The photos in Volume 7 were shot over 60 adventures, which required 113,700 feet of human powered ascent and 2,321 miles of driving. No music or podcasts were consumed during any of the adventures, and no wearables were worn to collect health data.
This issue is printed on FSC certified paper made of 100% recycled material. Outside of sharing with family and friends, distribution is focused locally, with the majority of issues going out thanks to the help of local stores. No online marketing or social media is used to promote this work.
1
A09Centred stack
classic centred small caps with rules between entries — after the ARKIV back cover (7147)
60adventures
113,700vertical feet
2,321miles of driving
1person

This issue is printed on FSC certified paper made of 100% recycled material. Outside of sharing with family and friends, distribution is focused locally, with the majority of issues going out thanks to the help of local stores. No online marketing or social media is used to promote this work.

1
A10Data headline
the numbers become the headline; the colophon becomes the footnote — Space Grotesk + Fraunces
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
LOCAL STUDIES · VOLUME 7
A11Red poem
the colophon as a centred poem in bold condensed caps — Sunset Coral on ink, after the red-on-black poem page (7060)
EACH ISSUE
7
ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE PHOTOS
60
SHOT OVER 60 ADVENTURES, WHICH REQUIRED 113,700 FEET OF HUMAN POWERED ASCENT AND 2,321 MILES OF DRIVING.
THIS ISSUE
100
PRINTED ON FSC CERTIFIED PAPER MADE OF 100% RECYCLED MATERIAL.
A12Coral index
three stanzas with boxed numerals, centred condensed caps in ink on Sunset Coral — after the orange index page (7064)
“LOCAL STUDIES is a picture-driven weather history of the Central Idaho mountains, through the lens of human powered movement. Each issue is singular — all photos, art and writing are done by one person, in one ~50-square-mile place, during one 6-month period of time.”
Local Studies
A13Quote on Aurora
the first sentence set as a centred serif quotation on the red page — after the quote-on-red page (7154)
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME. THE PHOTOS IN VOLUME 7 WERE SHOT OVER 60 ADVENTURES, WHICH REQUIRED 113,700 FEET OF HUMAN POWERED ASCENT AND 2,321 MILES OF DRIVING.
LOCAL STUDIES · VOLUME 7
A14Gold declaration
the whole colophon large and bold, flush left on Sunset Gold — the loudest quiet page in the book
B · Contentsp. 2
current
00 · Current — Sam’s pageSam’s contents is a hairline table, centred and tiny. The references put it over a photograph, in bold colour, with thumbnails, or as a wide ledger.
VOLUME 7
Intro3
May4
June26
July50
August76
September98
October122
2
B01Hairline table
Sam’s table, kept tiny, but pinned to a full-page rule grid
VOLUME 7
Intro3
May The Green Dragon4
June sharing26
July process50
August other updates76
September98
October122
B02Over the photograph
contents in white over the full-bleed spread photo — after the sunset contents (7093)
May4
June26
July50
August76
September98
October122
Intro · 3
B03Coral bold
Sunset Coral ground, months in huge grotesk caps, numbers tiny — after the orange list (7064)
VOLUME 7
May
The Green Dragon
4
June
sharing
26
July
process
50
August
other updates
76
September
—
98
October
—
122
2
B04Thumbnails
each month with its own small photograph — after the TWNTY contents (7123)
Intro3
May4
June26
July50
August76
September98
October122

LOCAL STUDIES is a picture-driven weather history of the Central Idaho mountains, through the lens of human powered movement. Each issue is singular – all photos, art and writing are done by one person, in one ~50-square-mile place, during one 6-month period of time.

VOLUME 7
2
B05Wide ledger
two columns: month left, what it holds right, hairlines — after LUNCHEON (7071)
4May
26June
50July
76August
98September
122October
B06Giant numerals
page numbers as the design, Bodoni, months whispered beside them
VOLUME 7
Intro3
May The Green Dragon4
June sharing26
July process50
August other updates76
September98
October122
2
B07Bluebird block
deep blue page, Dawn type — the palette’s own sky, dark to light
Intro 3
May 4
June 26
July 50
August 76
September 98
October 122
2
B08Italic stack
months in Fraunces italic at increasing size, down the page like a fall of snow
Intro3
May4
June26
July50
August76
September98
October122
VOLUME 7
2
B09Mono index
monospace with dotted leaders — the contents as an index card
May
4
Jun
26
Jul
50
Aug
76
Sep
98
Oct
122
VOLUME 7
2
B10Timeline
the six months as a horizontal band with tick marks — the year as a strip
May4
June26
July50
August76
September98
October122
INTRO 3
LOCAL STUDIES · VOLUME 7
B11Contents poem
the months as a centred poem in bold condensed caps — Sunset Coral on ink, after the poem page (7060)
May
The Green Dragon
4
June
sharing
26
July
process
50
August
other updates
76
September
98
October
122
B12Contents index
each month a stanza with its page number in boxed numerals — ink on Sunset Coral, after the index page (7064)
May 4 The Green Dragon
June 26 sharing
July 50 process
August 76 other updates
September 98
October 122
Local Studies · Volume 7
B13Contents on Aurora
the table as a centred serif setting, paper on the red page — after the quote page (7154)
May The Green Dragon4
June sharing26
July process50
August other updates76
September98
October122
LOCAL STUDIES · VOLUME 7 · INTRO 3
B14Contents on Gold
months flush left in bold caps, page numerals hard right — ink on Sunset Gold
C · The letterp. 3
current
00 · Current — Sam’s page“Dear friends,” in italic, one justified column, a signature. The references push density, colour, mono, and the pulled line.
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment – writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation – enough work to expand, and space for experiences to settle, and for the most important work of showing up as a good partner and father.

And I might. I still wonder if the best version of this work would be neither these pictures nor these words – just being out there, being with it.

With hope,
Sam
Intro · Vol. 7
3
C01Classic column
one column on the right half of the grid, a 60-character measure, the salutation inside the column
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment – writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation – enough work to expand, and space for experiences to settle, and for the most important work of showing up as a good partner and father.

And I might. I still wonder if the best version of this work would be neither these pictures nor these words – just being out there, being with it.

With hope,
Sam
3
C02Two columns
the letter as two tight columns, salutation spanning both
Dear
friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment – writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation – enough work to expand, and space for experiences to settle, and for the most important work of showing up as a good partner and father.

With hope,
Sam
3
C03Giant salutation
the greeting at display scale, the text small beneath it
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment – writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation – enough work to expand, and space for experiences to settle, and for the most important work of showing up as a good partner and father.

And I might. I still wonder if the best version of this work would be neither these pictures nor these words – just being out there, being with it.

With hope,
Sam
C04Gold page
Sunset Gold ground, ink type — the warmest page in the book
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment – writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself.

It is a tool for my continued unfolding.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation – enough work to expand, and space for experiences to settle, and for the most important work of showing up as a good partner and father.

3
C05Pulled line
one sentence pulled large into the middle of the page, the letter running around it
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment – writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation – enough work to expand, and space for experiences to settle, and for the most important work of showing up as a good partner and father.

And I might. I still wonder if the best version of this work would be neither these pictures nor these words – just being out there, being with it.

With hope,
Sam
3
C06Typewriter
mono, ragged, no indents — after the typewriter pages (7139, 7079)
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment – writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation – enough work to expand, and space for experiences to settle, and for the most important work of showing up as a good partner and father.

And I might. I still wonder if the best version of this work would be neither these pictures nor these words – just being out there, being with it.

With hope,
Sam
C07Red page
Aurora ground, white serif — after the quote-on-red spread (7154)
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment – writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation – enough work to expand, and space for experiences to settle, and for the most important work of showing up as a good partner and father.

And I might. I still wonder if the best version of this work would be neither these pictures nor these words – just being out there, being with it.

With hope,
Sam
VOL. 7
INTRO

— writing
is hard

— a tool for
my continued
unfolding

— With hope,
Sam
3
C08Margin notes
a narrow column with dated side-notes in mono — the letter as a field notebook
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment – writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation – enough work to expand, and space for experiences to settle, and for the most important work of showing up as a good partner and father.

With hope,
Sam
3
C09Signature first
the sign-off is the headline: “With hope,” large, the letter smaller above it
Volume 7Intro

Dear friends, I’ll start with my present moment – writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation – enough work to expand, and space for experiences to settle, and for the most important work of showing up as a good partner and father.

And I might. I still wonder if the best version of this work would be neither these pictures nor these words – just being out there, being with it.

With hope,
Sam
3
C10Drop cap
two columns, a Hoarfrost drop capital, small-caps running head
D · Month openerp. 4
current
00 · Current — Sam’s pagea month in serif caps and three charts. The references are all about the word: broken, giant, single-letter, black page, outline.
November
TemperatureSnow Water EquivalentWind speed
4
D01Condensed stack
NOVEMBER in condensed caps filling the width, the three charts tight below
NOV
EM
BER
Temperature · Snow Water Equivalent · Wind speed
4
D02Broken word
NOV / EM / BER stacked huge — after PRO / FILE / S (7138)
NOVEMBER
11
4
D03Black opener
ink page, month small, the number 11 enormous in white — after ECOLOGY 3 (7086)
N
November
4
D04Letterform
one giant N carries the page; the charts sit inside its counter — after the A opener (7144)
November
Temperature · Snow Water Equivalent · Wind speed
4
D05Charts as art
the charts blown up to the whole page in palette colour; the month whispered
November
NOVEMBER · VOLUME 7
4
D06Bluebird ground
deep blue page, Dawn chart lines, the month in Fraunces italic
November
4
D07Sideways
the month runs up the left edge; the charts take the rest of the page
NOVEMBER
60
adventures
113,700
vertical feet
2,321
miles of driving
1
person
4
D08Data dashboard
the month as a type-led data board: the big numbers first, charts as a strip
NOV
4
D09Gold split
top half Sunset Gold with NOV, bottom half the charts on white
NOVEMBER
Temperature · Snow Water Equivalent · Wind speed
4
D10Outline
the month in outline letters, the charts drawn straight through them
NO
VEM
BER
TemperatureSnow Water EquivalentWind speed
4
D11Stacked letters
NOVEMBER broken into stacked geometric capitals filling the page, the charts as a strip at the foot — after the PROFILES title page
Temperature1
Snow Water Equivalent2
Wind speed3
November
11
D12Dark index
ink page: dotted-leader index top right, the month in condensed caps, the giant numeral bottom right — after the ECOLOGY section page
NO
VE
MB
ER
Temperature · SWE · Wind speed
4
D13Letters and column
the stacked month on the left, the three charts as a full-height column on the right — PROFILES with the data given the margin
Temperature1
Snow Water Equivalent2
Wind speed3
November
11
D14Blue index
the ECOLOGY structure on Bluebird: Dawn leaders and numeral, paper month, the charts across the middle
E · Month essayp. 5
current
00 · Current — Sam’s pagetwo justified columns set low on the page. The references vary measure, columns, and voice — typewriter, drop caps, margin heads.

November — Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

5
E01Two columns, low
Sam’s structure with a run-in head and the top third left empty

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

5
E02Three columns
three narrow columns, top-aligned, hairline above

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

5
E03One column, right
a single 60-character column on the right half, Fraunces drop capital
Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.
NOVEMBER
5
E04Typewriter
mono, ragged, one column — the essay as a field report (7079)

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

5
E05Dawn panel
the essay in a pale-blue panel inset on the page
9
th–15th

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

19
th–26th

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

5
E06Day numerals
a giant marginal day number for each section of the month
Central Idaho in particular has a history of doing its own thing.

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

5
E07Pull quote
two columns with one line pulled into Fraunces italic across the top
November

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

5
E08Bluebird page
deep-blue ground, paper two-column text, Dawn label

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

Location (zone, elevation)BeforeAfter
Galena Summit (central, 8.8K)85%151%
Chocolate Gultch (central, 6.2K)40%126%
Banner (northwest, 7.2K)40%93%
Hyndman (east, 7.5K)35%178%

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

5
E09Inline table
two columns with a small data table set into the text (after Sam’s p. 21)
La Niña
The 9th
through
the 15th
The second half
of the month

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

5
E10Margin heads
small-caps subheads hung in the left margin beside a single column (7116)
Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its LA NIÑA pattern, meaning cooler surface temperatures.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

5
E11Margin lede
the essay opens as a display deck in the left margin, the text justified beside it with a drop capital — paper on ink, after the Zurbarán page
NOV
EMBER

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

E12Ghost title
NOVEMBER tone-on-tone bleeding off the top, a thin rule, the essay small at the foot — after the TRANSLATING TASTE page
Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

5
E13Q&A caps
one paragraph promoted to bold grotesk capitals — the interview-page move — ink on Sunset Coral

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

November
E14Red serif columns
the essay in warm serif columns — Aurora type on the pale Dawn page, after the Zamiri spread
Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its LA NIÑA pattern, meaning cooler surface temperatures.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

November
E15Gold lede
the whole first paragraph as display serif, the rest small in the corner — ink on Sunset Gold
NO
VEM
BER

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

5
E16Green ghost
the month sunk into the green as tone-on-tone capitals, the essay across the foot — ink on Aurora Green
Central Idaho in particular has a history of doing its own thing.

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

E17Aurora columns
paper serif on the red page with a white rule between the columns — the dark-page structure in Local Studies red
NOV
EMBER
Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th.

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

E18Blue ghost
Dawn ghost month off the top, paper essay below, one line promoted to Dawn capitals — on Bluebird
F · Single photo · corner captionp. 8
current
00 · Current — Sam’s pagethe workhorse: an inset portrait photograph, caption in a bottom corner. The references put the photo on colour, on black, as a print, and let the caption move.
Della Mountain, at 6,772 ft., in the center.4th
F01Full bleed
the photograph to the edges, caption white in the bottom-left
Taken from 5.8K, out Croy Canyon, looking west, with just a touch of snow visible from 8.0K to 8.4K feet on the northeast aspects.5th
9
F02On coral
inset photograph on a Sunset Coral ground — after the PRADA spread (7106)
In the clouds, at 6.4K, after a few days of light precipitation.17th
F03Print on blue
a white-bordered print laid on Bluebird — after the polaroids (7149)
Shot from 8.0K, looking up the southwest face of Cobb Peak, which tops out at 11,650 ft. Taken after the first hit of moisture, across the 19th and 20th.19th
13
F04On ochre
photo on Valley Ochre, caption in paper — after the gold page (7142)
Variable conditions on a north facing ridge at 9.6K feet in the Smokys. Some soft snow on top (which increased with elevation), rain/sun/heat crusts below, with rime formed on the trees. — 2nd
F05Right bleed
the photograph pushed off the right edge; the caption runs vertically up the left
12
A southeast aspect in the Smokys, with terrain visible between ~9.2–9.9K. The coverage looks good, but this is after the 12/8–12/9 storm that brought rain up to 10K ft. My ski turns off the top tell the story – crusty, punchy, safety skiing.
29
F06Numeral caption
the date as a giant numeral, the caption beside it
Further up the same ridge at 10.2K, looking the opposite direction (west). Full coverage at 7K and above. Strong wind effect apparent in the foreground as the ground is visible on a WSW facing slope.28th
40
F07Aurora tab
the caption set in a red chip that overlaps the photograph
4th · Della Mountain, at 6,772 ft., in the center.
17th · In the clouds, at 6.4K, after a few days of light precipitation.
F08Pair
two photographs stacked, two short captions in mono
By 9.2K, the snow profile included 25cm of old faceted snow at the base (November snowpack), a 4cm thick sun/heat/rain crust on top of that, then 15cm of storm snow from the storm on the 17th, a thin sun crust, and finally 45cm of additional new snow from the 18th and 19th.20th
33
F09On black
the photograph on ink, the caption in Dawn
19th · Cobb Peak
Shot from 8.0K, looking up the southwest face of Cobb Peak, which tops out at 11,650 ft. Taken after the first hit of moisture, across the 19th and 20th.
F10Hairline frame
wide margins, a hairline frame, the caption at the top in small caps
G · Single photo · caption belowp. 33
current
00 · Current — Sam’s pagethe caption in the margin under the image. The references play with how small the photograph dares to be, and what ground it sits on.
By 9.2K, the snow profile included 25cm of old faceted snow at the base (November snowpack), a 4cm thick sun/heat/rain crust on top of that, then 15cm of storm snow from the storm on the 17th, a thin sun crust, and finally 45cm of additional new snow from the 18th and 19th.
20th · December
33
G01Serif below
photo to 70%, a generous serif caption below left
Taken from 5.8K, out Croy Canyon, looking west, with just a touch of snow visible from 8.0K to 8.4K feet on the northeast aspects.
9
G02On green
Aurora Green ground, ink caption
In the clouds, at 6.4K, after a few days of light precipitation.
17th
12
G03Small and far
a small photograph high on the page, the caption far below it — after the white pages (7075)

Two snow pits, a few hundred feet from each other, with dramatically different profiles due to sun and wind exposure. The SW profile includes ~40cm of snow since ~12/15, while the NW profile includes ~80cm during the same period (due to wind).

Accordingly, avalanche danger varied dramatically based on aspect, elevation and specific location at this point in the season.

37
G04Two columns below
the caption as two columns of text under the photograph (7135)
12th — A southeast aspect in the Smokys, with terrain visible between ~9.2–9.9K. The coverage looks good, but this is after the 12/8–12/9 storm that brought rain up to 10K ft. My ski turns off the top tell the story – crusty, punchy, safety skiing.
G05Bleed top, band below
the photograph bleeds top and sides; a mono caption band closes the page
Variable conditions on a north facing ridge at 9.6K feet in the Smokys. Some soft snow on top (which increased with elevation), rain/sun/heat crusts below, with rime formed on the trees.
22
G06On dawn
pale blue page, ink caption
10.2KWSW28th
Further up the same ridge at 10.2K, looking the opposite direction (west). Full coverage at 7K and above. Strong wind effect apparent in the foreground as the ground is visible on a WSW facing slope.
40
G07Data line
two captions: a data line (elevation · aspect · date) in mono, then the prose
Shot from 8.0K, looking up the southwest face of Cobb Peak, which tops out at 11,650 ft. Taken after the first hit of moisture, across the 19th and 20th.
G08Gold band
a square photograph centred; the caption on a Sunset Gold band at the foot
Della Mountain, at 6,772 ft., in the center.
G09Hoarfrost ground
a violet panel behind the lower half, caption in ink on it
In the clouds, at 6.4K, after a few days of light precipitation.
17th · November · 6,400 ft
12
G10Caption as headline
the photograph small top-right; the caption large, display, bottom-left
H · Annotated photop. 37
current
00 · Current — Sam’s pagethe snow-pit: labels placed on the photograph. The references are the map and infographic spreads — leaders, numbering, keys, rulers.
12/21 rain crust
12/17 rain crust
12/15 rain crust
12/9 rain crust / warm spell
12/5 facets
Oct–Nov early season snowpack
24th · SW aspect
H01Leaders left
labels in the left margin with leader rules into the pit wall
12/21 rain crust
12/17 rain crust
12/15 rain crust
12/9 rain crust / warm spell
12/5 facets
Oct–Nov early season snowpack
37
H02Blue field
photo on Bluebird, labels and lines in paper
1
2
3
4
5
6
1  12/21 — rain crust
2  12/17 — rain crust
3  12/15 — rain crust
4  12/9 — rain crust / warm spell
5  12/5 — facets
6  Oct–Nov — early season snowpack
37
H03Numbered
numbered markers on the photograph with a key below
12/21 · rain crust
12/17 · rain crust
12/15 · rain crust
12/9 · rain crust / warm spell
12/5 · facets
Oct–Nov · early season snowpack
37
H04Grid overlay
a fine grid drawn over the photograph, labels placed on the grid
12/21 rain crust
12/17 rain crust
12/15 rain crust
12/9 rain crust / warm spell
12/5 facets
Oct–Nov early season snowpack
H05Red chips
labels in Aurora chips laid directly on the image
12/21
rain crust
12/17
rain crust
12/15
rain crust
12/9
rain crust / warm spell
12/5
facets
Oct–Nov
early season snowpack
H06Label column
photo left, a tick-marked label column right
21
17
15
9
5
Two snow pits, a few hundred feet from each other, with dramatically different profiles due to sun and wind exposure. The SW profile includes ~40cm of snow since ~12/15, while the NW profile includes ~80cm during the same period (due to wind).
H07Ruler
a Sunset Coral ruler runs the height of the pit with the dates as big numerals
12/21 rain crust
12/17 rain crust
12/15 rain crust
12/9 rain crust / warm spell
12/5 facets
Oct–Nov early season snowpack
H08Right-hand labels
full-bleed photograph, labels in white chips down the right edge
~40cm of snow
12/21rain crust12 cm
12/17rain crust30 cm
12/15rain crust40 cm
12/9rain crust / warm spell62 cm
12/5facets72 cm
Oct–Novearly season snowpack86 cm
37
H09Scale bar
labels as a data table under the photograph with a scale bar
12/21 rain crust
12/17 rain crust
12/15 rain crust
12/9 rain crust / warm spell
12/5 facets
Oct–Nov early season snowpack
37
H10On ochre
photo on Valley Ochre with white labels
I · Single photo · text overlaidp. 40
current
00 · Current — Sam’s pagea paragraph set into the sky. The references go further: the quote as headline, the title as object, the card, the column.
Further up the same ridge at 10.2K, looking the opposite direction (west). Full coverage at 7K and above. Strong wind effect apparent in the foreground as the ground is visible on a WSW facing slope.
I01Top-right paragraph
Sam’s move with white type and a hairline above
Variable conditions on a north facing ridge at 9.6K feet.
2nd · Smokys
I02Quote as headline
one line huge over the photograph — after the botanicals quote (7129)
Shot from 8.0K, looking up the southwest face of Cobb Peak, which tops out at 11,650 ft. Taken after the first hit of moisture, across the 19th and 20th.19th
I03White card
the text on a white card laid over the image
A southeast aspect in the Smokys, with terrain visible between ~9.2–9.9K. The coverage looks good, but this is after the 12/8–12/9 storm that brought rain up to 10K ft. My ski turns off the top tell the story – crusty, punchy, safety skiing.
I04Aurora panel
the text on a red panel across the foot of the photograph
FULL
COVERAGE
AT 7K
Further up the same ridge at 10.2K, looking the opposite direction (west). Full coverage at 7K and above. Strong wind effect apparent in the foreground as the ground is visible on a WSW facing slope.
I05Title as object
a stacked condensed title in the sky — after CHASING THE BLACK SUN (7095)
By 9.2K, the snow profile included 25cm of old faceted snow at the base (November snowpack), a 4cm thick sun/heat/rain crust on top of that, then 15cm of storm snow from the storm on the 17th, a thin sun crust, and finally 45cm of additional new snow from the 18th and 19th.
I06Vertical text
the paragraph runs up the right edge of the photograph
Taken from 5.8K, out Croy Canyon, looking west, with just a touch of snow visible from 8.0K to 8.4K feet on the northeast aspects.
I07Dawn veil
a translucent pale-blue panel behind the text
In the clouds, at 6.4K, after a few days of light precipitation.
17th · November
I08Half and half
photograph on the top half, text on Bluebird below
RIME
FORMED
ON THE
TREES
Variable conditions on a north facing ridge at 9.6K feet in the Smokys. Some soft snow on top (which increased with elevation), rain/sun/heat crusts below, with rime formed on the trees.
I09Outline type
the title in ink outline letters over the image

Further up the same ridge at 10.2K, looking the opposite direction (west). Full coverage at 7K and above. Strong wind effect apparent in the foreground as the ground is visible on a WSW facing slope.

Full coverage at 7K and above. Strong wind effect apparent in the foreground as the ground is visible on a WSW facing slope.

I10Mono columns
the text in two columns of white mono straight across the photograph
J · Photo spread · corner captionpp. 6–7
current
00 · Current — Sam’s pageone photograph across the gutter. The references: full bleed, the title as a strip, a colour page facing the picture, and two pictures.
Della Mountain, at 6,772 ft., in the center. 4th
J01Full bleed
edge to edge, caption white in the bottom-right of the recto
Della Mountain, at 6,772 ft., in the center. · 4th · NOVEMBER
7
J02Inset, caption outside
Sam’s layout tightened: even margins, caption under the recto in mono
Looking north at the Boulders, with decent looking snow coverage in the alpine (above ~9.0K), even as we look at the south sides. The snow line sits around ~7.0K, above the valley floor at ~6.0K.
November · the Boulders
J03Photo left, coral right
the photograph on the verso bleed, the recto Sunset Coral with the caption
25
Looking north at Galena Summit pass at sunrise, standing at ~9.6K ft. Soft snow in the alpine and on eastern aspects, with brush still visible due to minimal snowpack on the south and west sides, and snow down to 7.0K feet in the Sawtooth valley. A notable westerly wind affect on the ridgelines.
J04Red foot band
the photograph across both pages, an Aurora band at the foot carries the caption
In the SmokysDECEMBER12th
31
J05Offset up, mono band
the photo set high and across; a mono caption line below
DECEMBER · 28th
J06Small on blue
a small photograph on a Bluebird spread, caption in Dawn
DECEMBER3rd
J07Title strip
a condensed title runs along the foot — after ALL THAT BREAKS (7153)
In the clouds, at 6.4K, after a few days of light precipitation. · 17th
J08Gutter caption
the caption runs vertically up the gutter between the pages
8th · DECEMBER
J09Gold chip
full bleed with the caption in a Sunset Gold chip
4th · Della Mountain, at 6,772 ft., in the center.
5th · Taken from 5.8K, out Croy Canyon, looking west, with just a touch of snow visible from 8.0K to 8.4K feet on the northeast aspects.
J10Two pictures
one photograph per page, thin captions under each
K · Photo spread · essay overlaidpp. 18–19
current
00 · Current — Sam’s pagea paragraph set into the sky at top-left. The references: the title stacked down the page, the colour page facing, the quote across the gutter.

My first tour of the season. I chose a north aspect in the Pios, mainly as the high mountains here were more accessible than usual thanks to no snowpack accumulating at lower elevations. This allowed me to drive to the base of my objective, with no hike in necessary.

I started on foot, moving through tighter trees from ~7.4K to ~8.4K on north side terrain. It was tough. ~6 inches of lighter snow (from the 19th/20th storm cycle) on top of rock/dirt; not enough to skin on, but too much for good visibility or grip in hiking shoes.

K01Top-left essay
Sam’s page with the essay in white, measure tightened
FIRST
TOUR
OF THE
SEASON
a north aspect in the Pios · 24th · NOVEMBER
K02Stacked title
a Fraunces display title stacked down the recto — after CURTAIN CALL (7120)

My first tour of the season. I chose a north aspect in the Pios, mainly as the high mountains here were more accessible than usual thanks to no snowpack accumulating at lower elevations. This allowed me to drive to the base of my objective, with no hike in necessary.

I started on foot, moving through tighter trees from ~7.4K to ~8.4K on north side terrain. It was tough. ~6 inches of lighter snow (from the 19th/20th storm cycle) on top of rock/dirt; not enough to skin on, but too much for good visibility or grip in hiking shoes.

Above 8.5K, a rain crust came to form (likely from precipitation on the 16/17th) – it created a barrier between the ground/rock surface and my skis/skins. Movement was much more efficient, and the good vibes of touring kicked in. The snowpack was shallow throughout, building to ~18 inches by 9.5K feet (where this shot was taken).

The 24th · November
K03Red page facing
the essay on an Aurora verso, the photograph bleeding on the recto
the good vibes of touring kicked in
My first tour of the season. · a north aspect in the Pios
K04Quote across the gutter
one line in Dawn set centred across both pages

My first tour of the season. I chose a north aspect in the Pios, mainly as the high mountains here were more accessible than usual thanks to no snowpack accumulating at lower elevations. This allowed me to drive to the base of my objective, with no hike in necessary.

I started on foot, moving through tighter trees from ~7.4K to ~8.4K on north side terrain. It was tough. ~6 inches of lighter snow (from the 19th/20th storm cycle) on top of rock/dirt; not enough to skin on, but too much for good visibility or grip in hiking shoes.

K05White card
the essay in a white card at the bottom-left

My first tour of the season. I chose a north aspect in the Pios, mainly as the high mountains here were more accessible than usual thanks to no snowpack accumulating at lower elevations. This allowed me to drive to the base of my objective, with no hike in necessary.

I started on foot, moving through tighter trees from ~7.4K to ~8.4K on north side terrain. It was tough. ~6 inches of lighter snow (from the 19th/20th storm cycle) on top of rock/dirt; not enough to skin on, but too much for good visibility or grip in hiking shoes.

Above 8.5K, a rain crust came to form (likely from precipitation on the 16/17th) – it created a barrier between the ground/rock surface and my skis/skins. Movement was much more efficient, and the good vibes of touring kicked in. The snowpack was shallow throughout, building to ~18 inches by 9.5K feet (where this shot was taken).

K06Bottom band columns
the essay in three columns across a band at the foot
FIRST TOUR
Above 8.5K, a rain crust came to form (likely from precipitation on the 16/17th) – it created a barrier between the ground/rock surface and my skis/skins. Movement was much more efficient, and the good vibes of touring kicked in. The snowpack was shallow throughout, building to ~18 inches by 9.5K feet (where this shot was taken).
K07Outline title
the title in ink outline letters across both pages
My first tour of the season. I chose a north aspect in the Pios, mainly as the high mountains here were more accessible than usual thanks to no snowpack accumulating at lower elevations. This allowed me to drive to the base of my objective, with no hike in necessary.

I started on foot, moving through tighter trees from ~7.4K to ~8.4K on north side terrain. It was tough. ~6 inches of lighter snow (from the 19th/20th storm cycle) on top of rock/dirt; not enough to skin on, but too much for good visibility or grip in hiking shoes.
K08Mono on the sky
the essay in white mono on the recto sky
My first tour of the season.

I started on foot, moving through tighter trees from ~7.4K to ~8.4K on north side terrain. It was tough. ~6 inches of lighter snow (from the 19th/20th storm cycle) on top of rock/dirt; not enough to skin on, but too much for good visibility or grip in hiking shoes.

Above 8.5K, a rain crust came to form (likely from precipitation on the 16/17th) – it created a barrier between the ground/rock surface and my skis/skins. Movement was much more efficient, and the good vibes of touring kicked in. The snowpack was shallow throughout, building to ~18 inches by 9.5K feet (where this shot was taken).

K09Blue page facing
Bluebird verso with the essay in Dawn, photograph bleeding right
My first tour of the season. I chose a north aspect in the Pios, mainly as the high mountains here were more accessible than usual thanks to no snowpack accumulating at lower elevations. This allowed me to drive to the base of my objective, with no hike in necessary. I started on foot, moving through tighter trees from ~7.4K to ~8.4K on north side terrain. It was tough. ~6 inches of lighter snow (from the 19th/20th storm cycle) on top of rock/dirt; not enough to skin on, but too much for good visibility or grip in hiking shoes.
K10Vertical essay
the essay set vertically up the left edge of the verso

142 LAYOUTS · 11 TYPES × 10+ · BUILT IN HTML/CSS FROM SAM'S VOLUME 7 PHOTOGRAPHS AND TEXT (CAPTIONS, LETTER, ESSAY, COLOPHON) · COLOUR GROUNDS FROM THE SAMPLED PALETTE · CHARTS ARE DRAWN PLACEHOLDERS · OPEN-LICENSE WEB FONTS · PHOTOGRAPHS UNCHANGED

Part six · final designs

Final Designs

The opening signature — Steve's seven-spread sequence — carried forward as the working final. The base as pulled from Figma, then twenty typographic iterations: modern sans and serif pairings close to the base but pushed, applied to every spread except the cover, which is held. Mono stays IBM Plex; the numerals and wordmark stay Caslon. Click any spread to view large; tick to shortlist.

The base · Steve’s originalsthe Figma exports themselves — pixel-true. The twenty iterations below re-set the same spreads in live type.
O01The cover
Steve’s Figma original — the pixel base
O02VII · the colophon
Steve’s Figma original — the pixel base
O03Contents · the letter
Steve’s Figma original — the pixel base
O04Winter 25/26 · the summary
Steve’s Figma original — the pixel base
O05The goats
Steve’s Figma original — the pixel base
O06November · the record
Steve’s Figma original — the pixel base
O07The valley
Steve’s Figma original — the pixel base
Iteration 01 · Inter · Newsreader · Fraunces · layout Aspreads 1–7 are Steve’s originals, pixel-true · 008 December set live in Inter · Newsreader · Fraunces
L01The cover
Steve’s original — pixel-true
L02VII · the colophon
Steve’s original — pixel-true

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

L03Contents · the letter
Steve’s original — letter re-set live in two clean columns (month-page gutter)
OCTOBER
the start
NOVEMBER
dry and warm
p. 6-21
DECEMBER
...........snow!
p. 22-43
JANUARY
high pressure
p. 44-77
FEBRUARY
more snow,
and warmth
p. 78-121
MARCH
...summer?
p. 122-147
APRIL
spring
p. 148-175
MAY
the big melt
Snow Water Equivalent (in.)
L04Winter 25/26 · the summary
Steve’s original — chart labels re-set live in IBM Plex Mono
L05The goats
Steve’s original — pixel-true
L06November · the record
Steve’s original — pixel-true
L07The valley
Steve’s original — pixel-true
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

L08December · the record
Inter · Newsreader · Fraunces
Iteration 02 · Archivo Narrow · Spectral · Instrument Serif · layout Bsans: Archivo Narrow · text: Spectral · italic: Instrument Serif · wider measure, headlines stacked left; charts near full-bleed · cover held
L09The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
L10VII · the colophon
Archivo Narrow · Spectral · Instrument Serif
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
L11Contents · the letter
Archivo Narrow · Spectral · Instrument Serif
Winter 25/26 — Idaho’s second warmest winter in 130 years
L12Winter 25/26 · the summary
Archivo Narrow · Spectral · Instrument Serif
L13The goats
Archivo Narrow · Spectral · Instrument Serif
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

L14November · the record
Archivo Narrow · Spectral · Instrument Serif
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
L15The valley
Archivo Narrow · Spectral · Instrument Serif
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

L16December · the record
Archivo Narrow · Spectral · Instrument Serif
Iteration 03 · DM Sans · Crimson Pro · Fraunces · layout Csans: DM Sans · text: Crimson Pro · italic: Fraunces · narrow single-column letter low on the page; charts full width · cover held
L17The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
L18VII · the colophon
DM Sans · Crimson Pro · Fraunces
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
L19Contents · the letter
DM Sans · Crimson Pro · Fraunces
Winter 25/26 · Idaho’s second warmest winter in 130 years
L20Winter 25/26 · the summary
DM Sans · Crimson Pro · Fraunces
L21The goats
DM Sans · Crimson Pro · Fraunces
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

L22November · the record
DM Sans · Crimson Pro · Fraunces
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
L23The valley
DM Sans · Crimson Pro · Fraunces
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

L24December · the record
DM Sans · Crimson Pro · Fraunces
Iteration 04 · Manrope · EB Garamond · Instrument Serif · layout Dsans: Manrope · text: EB Garamond · italic: Instrument Serif · three-column letter, tighter months; charts dominate · cover held
L25The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
L26VII · the colophon
Manrope · EB Garamond · Instrument Serif
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
L27Contents · the letter
Manrope · EB Garamond · Instrument Serif
Winter 25/26
Idaho’s second warmest winter in 130 years
L28Winter 25/26 · the summary
Manrope · EB Garamond · Instrument Serif
L29The goats
Manrope · EB Garamond · Instrument Serif
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

L30November · the record
Manrope · EB Garamond · Instrument Serif
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
L31The valley
Manrope · EB Garamond · Instrument Serif
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

L32December · the record
Manrope · EB Garamond · Instrument Serif
Iteration 05 · Hanken Grotesk · Spectral · Fraunces · layout Esans: Hanken Grotesk · text: Spectral · italic: Fraunces · text high, generous whitespace below; the biggest charts · cover held
L33The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
L34VII · the colophon
Hanken Grotesk · Spectral · Fraunces
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
L35Contents · the letter
Hanken Grotesk · Spectral · Fraunces
Winter 25/26 — Idaho’s second warmest winter in 130 years
L36Winter 25/26 · the summary
Hanken Grotesk · Spectral · Fraunces
L37The goats
Hanken Grotesk · Spectral · Fraunces
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

L38November · the record
Hanken Grotesk · Spectral · Fraunces
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
L39The valley
Hanken Grotesk · Spectral · Fraunces
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

L40December · the record
Hanken Grotesk · Spectral · Fraunces
Iteration 06 · Instrument Sans · Crimson Pro · Instrument Serif · layout Asans: Instrument Sans · text: Crimson Pro · italic: Instrument Serif · columns as the base; charts enlarged · cover held
L41The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
L42VII · the colophon
Instrument Sans · Crimson Pro · Instrument Serif
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
L43Contents · the letter
Instrument Sans · Crimson Pro · Instrument Serif
Winter 25/26
Idaho’s second warmest winter in 130 years
L44Winter 25/26 · the summary
Instrument Sans · Crimson Pro · Instrument Serif
L45The goats
Instrument Sans · Crimson Pro · Instrument Serif
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

L46November · the record
Instrument Sans · Crimson Pro · Instrument Serif
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
L47The valley
Instrument Sans · Crimson Pro · Instrument Serif
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

L48December · the record
Instrument Sans · Crimson Pro · Instrument Serif
Iteration 07 · Figtree · Newsreader · Cormorant Garamond · layout Bsans: Figtree · text: Newsreader · italic: Cormorant Garamond · wider measure, headlines stacked left; charts near full-bleed · cover held
L49The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
L50VII · the colophon
Figtree · Newsreader · Cormorant Garamond
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
L51Contents · the letter
Figtree · Newsreader · Cormorant Garamond
Winter 25/26 — Idaho’s second warmest winter in 130 years
L52Winter 25/26 · the summary
Figtree · Newsreader · Cormorant Garamond
L53The goats
Figtree · Newsreader · Cormorant Garamond
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

L54November · the record
Figtree · Newsreader · Cormorant Garamond
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
L55The valley
Figtree · Newsreader · Cormorant Garamond
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

L56December · the record
Figtree · Newsreader · Cormorant Garamond
Iteration 08 · Schibsted Grotesk · Besley · Fraunces · layout Csans: Schibsted Grotesk · text: Besley · italic: Fraunces · narrow single-column letter low on the page; charts full width · cover held
L57The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
L58VII · the colophon
Schibsted Grotesk · Besley · Fraunces
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
L59Contents · the letter
Schibsted Grotesk · Besley · Fraunces
Winter 25/26 · Idaho’s second warmest winter in 130 years
L60Winter 25/26 · the summary
Schibsted Grotesk · Besley · Fraunces
L61The goats
Schibsted Grotesk · Besley · Fraunces
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

L62November · the record
Schibsted Grotesk · Besley · Fraunces
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
L63The valley
Schibsted Grotesk · Besley · Fraunces
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

L64December · the record
Schibsted Grotesk · Besley · Fraunces
Iteration 09 · Familjen Grotesk · EB Garamond · Fraunces · layout Dsans: Familjen Grotesk · text: EB Garamond · italic: Fraunces · three-column letter, tighter months; charts dominate · cover held
L65The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
L66VII · the colophon
Familjen Grotesk · EB Garamond · Fraunces
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
L67Contents · the letter
Familjen Grotesk · EB Garamond · Fraunces
Winter 25/26
Idaho’s second warmest winter in 130 years
L68Winter 25/26 · the summary
Familjen Grotesk · EB Garamond · Fraunces
L69The goats
Familjen Grotesk · EB Garamond · Fraunces
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

L70November · the record
Familjen Grotesk · EB Garamond · Fraunces
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
L71The valley
Familjen Grotesk · EB Garamond · Fraunces
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

L72December · the record
Familjen Grotesk · EB Garamond · Fraunces
Iteration 10 · Space Grotesk · Spectral · Cormorant Garamond · layout Esans: Space Grotesk · text: Spectral · italic: Cormorant Garamond · text high, generous whitespace below; the biggest charts · cover held
L73The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
L74VII · the colophon
Space Grotesk · Spectral · Cormorant Garamond
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
L75Contents · the letter
Space Grotesk · Spectral · Cormorant Garamond
Winter 25/26 — Idaho’s second warmest winter in 130 years
L76Winter 25/26 · the summary
Space Grotesk · Spectral · Cormorant Garamond
L77The goats
Space Grotesk · Spectral · Cormorant Garamond
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

L78November · the record
Space Grotesk · Spectral · Cormorant Garamond
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
L79The valley
Space Grotesk · Spectral · Cormorant Garamond
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

L80December · the record
Space Grotesk · Spectral · Cormorant Garamond
Iteration 11 · Inter · Cormorant Garamond · Instrument Serif · layout Asans: Inter · text: Cormorant Garamond · italic: Instrument Serif · columns as the base; charts enlarged · cover held
L81The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
L82VII · the colophon
Inter · Cormorant Garamond · Instrument Serif
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
L83Contents · the letter
Inter · Cormorant Garamond · Instrument Serif
Winter 25/26
Idaho’s second warmest winter in 130 years
L84Winter 25/26 · the summary
Inter · Cormorant Garamond · Instrument Serif
L85The goats
Inter · Cormorant Garamond · Instrument Serif
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

L86November · the record
Inter · Cormorant Garamond · Instrument Serif
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
L87The valley
Inter · Cormorant Garamond · Instrument Serif
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

L88December · the record
Inter · Cormorant Garamond · Instrument Serif
Iteration 12 · Syne · Newsreader · Fraunces · layout Bsans: Syne · text: Newsreader · italic: Fraunces · wider measure, headlines stacked left; charts near full-bleed · cover held
L89The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
L90VII · the colophon
Syne · Newsreader · Fraunces
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
L91Contents · the letter
Syne · Newsreader · Fraunces
Winter 25/26 — Idaho’s second warmest winter in 130 years
L92Winter 25/26 · the summary
Syne · Newsreader · Fraunces
L93The goats
Syne · Newsreader · Fraunces
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

L94November · the record
Syne · Newsreader · Fraunces
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
L95The valley
Syne · Newsreader · Fraunces
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

L96December · the record
Syne · Newsreader · Fraunces
Iteration 13 · Archivo Narrow · Crimson Pro · Fraunces · layout Csans: Archivo Narrow · text: Crimson Pro · italic: Fraunces · narrow single-column letter low on the page; charts full width · cover held
L97The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
L98VII · the colophon
Archivo Narrow · Crimson Pro · Fraunces
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
L99Contents · the letter
Archivo Narrow · Crimson Pro · Fraunces
Winter 25/26 · Idaho’s second warmest winter in 130 years
M01Winter 25/26 · the summary
Archivo Narrow · Crimson Pro · Fraunces
M02The goats
Archivo Narrow · Crimson Pro · Fraunces
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

M03November · the record
Archivo Narrow · Crimson Pro · Fraunces
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
M04The valley
Archivo Narrow · Crimson Pro · Fraunces
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

M05December · the record
Archivo Narrow · Crimson Pro · Fraunces
Iteration 14 · DM Sans · Bodoni Moda · Bodoni Moda · layout Dsans: DM Sans · text: Bodoni Moda · italic: Bodoni Moda · three-column letter, tighter months; charts dominate · cover held
M06The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
M07VII · the colophon
DM Sans · Bodoni Moda · Bodoni Moda
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
M08Contents · the letter
DM Sans · Bodoni Moda · Bodoni Moda
Winter 25/26
Idaho’s second warmest winter in 130 years
M09Winter 25/26 · the summary
DM Sans · Bodoni Moda · Bodoni Moda
M10The goats
DM Sans · Bodoni Moda · Bodoni Moda
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

M11November · the record
DM Sans · Bodoni Moda · Bodoni Moda
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
M12The valley
DM Sans · Bodoni Moda · Bodoni Moda
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

M13December · the record
DM Sans · Bodoni Moda · Bodoni Moda
Iteration 15 · Manrope · Newsreader · Instrument Serif · layout Esans: Manrope · text: Newsreader · italic: Instrument Serif · text high, generous whitespace below; the biggest charts · cover held
M14The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
M15VII · the colophon
Manrope · Newsreader · Instrument Serif
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
M16Contents · the letter
Manrope · Newsreader · Instrument Serif
Winter 25/26 — Idaho’s second warmest winter in 130 years
M17Winter 25/26 · the summary
Manrope · Newsreader · Instrument Serif
M18The goats
Manrope · Newsreader · Instrument Serif
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

M19November · the record
Manrope · Newsreader · Instrument Serif
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
M20The valley
Manrope · Newsreader · Instrument Serif
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

M21December · the record
Manrope · Newsreader · Instrument Serif
Iteration 16 · Helvetica Neue · Spectral · Fraunces · layout Asans: Helvetica Neue · text: Spectral · italic: Fraunces · columns as the base; charts enlarged · cover held
M22The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
M23VII · the colophon
Helvetica Neue · Spectral · Fraunces
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
M24Contents · the letter
Helvetica Neue · Spectral · Fraunces
Winter 25/26
Idaho’s second warmest winter in 130 years
M25Winter 25/26 · the summary
Helvetica Neue · Spectral · Fraunces
M26The goats
Helvetica Neue · Spectral · Fraunces
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

M27November · the record
Helvetica Neue · Spectral · Fraunces
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
M28The valley
Helvetica Neue · Spectral · Fraunces
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

M29December · the record
Helvetica Neue · Spectral · Fraunces
Iteration 17 · Hanken Grotesk · Libre Caslon Text · Instrument Serif · layout Bsans: Hanken Grotesk · text: Libre Caslon Text · italic: Instrument Serif · wider measure, headlines stacked left; charts near full-bleed · cover held
M30The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
M31VII · the colophon
Hanken Grotesk · Libre Caslon Text · Instrument Serif
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
M32Contents · the letter
Hanken Grotesk · Libre Caslon Text · Instrument Serif
Winter 25/26 — Idaho’s second warmest winter in 130 years
M33Winter 25/26 · the summary
Hanken Grotesk · Libre Caslon Text · Instrument Serif
M34The goats
Hanken Grotesk · Libre Caslon Text · Instrument Serif
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

M35November · the record
Hanken Grotesk · Libre Caslon Text · Instrument Serif
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
M36The valley
Hanken Grotesk · Libre Caslon Text · Instrument Serif
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

M37December · the record
Hanken Grotesk · Libre Caslon Text · Instrument Serif
Iteration 18 · Instrument Sans · Newsreader · Fraunces · layout Csans: Instrument Sans · text: Newsreader · italic: Fraunces · narrow single-column letter low on the page; charts full width · cover held
M38The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
M39VII · the colophon
Instrument Sans · Newsreader · Fraunces
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
M40Contents · the letter
Instrument Sans · Newsreader · Fraunces
Winter 25/26 · Idaho’s second warmest winter in 130 years
M41Winter 25/26 · the summary
Instrument Sans · Newsreader · Fraunces
M42The goats
Instrument Sans · Newsreader · Fraunces
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

M43November · the record
Instrument Sans · Newsreader · Fraunces
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
M44The valley
Instrument Sans · Newsreader · Fraunces
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

M45December · the record
Instrument Sans · Newsreader · Fraunces
Iteration 19 · Schibsted Grotesk · Cormorant Garamond · Cormorant Garamond · layout Dsans: Schibsted Grotesk · text: Cormorant Garamond · italic: Cormorant Garamond · three-column letter, tighter months; charts dominate · cover held
M46The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
M47VII · the colophon
Schibsted Grotesk · Cormorant Garamond · Cormorant Garamond
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
M48Contents · the letter
Schibsted Grotesk · Cormorant Garamond · Cormorant Garamond
Winter 25/26
Idaho’s second warmest winter in 130 years
M49Winter 25/26 · the summary
Schibsted Grotesk · Cormorant Garamond · Cormorant Garamond
M50The goats
Schibsted Grotesk · Cormorant Garamond · Cormorant Garamond
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

M51November · the record
Schibsted Grotesk · Cormorant Garamond · Cormorant Garamond
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
M52The valley
Schibsted Grotesk · Cormorant Garamond · Cormorant Garamond
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

M53December · the record
Schibsted Grotesk · Cormorant Garamond · Cormorant Garamond
Iteration 20 · Figtree · EB Garamond · Instrument Serif · layout Esans: Figtree · text: EB Garamond · italic: Instrument Serif · text high, generous whitespace below; the biggest charts · cover held
M54The cover
cover held — identical in every iteration
VII
LOCAL STUDIES IS A PICTURE-DRIVEN WEATHER HISTORY OF THE CENTRAL IDAHO MOUNTAINS, THROUGH THE LENS OF HUMAN POWERED MOVEMENT.
EACH ISSUE IS SINGULAR — ALL PHOTOS, ART AND WRITING ARE DONE BY ONE PERSON, IN ONE ~50-SQUARE-MILE PLACE, DURING ONE 6-MONTH PERIOD OF TIME.
THE SEASON IN NUMBERS
TOTAL ADVENTURES60
MILES DRIVEN2,321
VERTICAL FEET ASCENDED BY HUMAN POWER113,700
LOCAL STUDIES · VOLUME 7
M55VII · the colophon
Figtree · EB Garamond · Instrument Serif
May4
June26
July50
August76
September98
October122
Winter 2024–25
Published November 2026
Design by Steve Tam
Weather support from JP at Central Idaho Mountain Weather
An edition of 300
LOCAL STUDIES · VOLUME 7 · INTRO 3
Dear friends,

Welcome back. As always, thanks for being here.

I’ll start with my present moment - writing is hard. This likely stems from the fact that I don’t practice often. I made a point years back to let go of constantly staying on top of my worldview. It just felt like I spent more time translating my experience, than having and being with the experience itself. I was forgoing an open-mind and more meaningful perspective shifts, in service to concise takes. While this shift has felt just right for me, a cost becomes apparent when the time comes to translate for Local Studies.

Now the easy answer is to stop writing. One of the things I love most about this work is that it shapes my day to day. It is a tool for my continued unfolding. Within that, feeling a sense of balance is part of this equation - I put enough work on my plate to expand, while making space for experiences to settle within me, and space for the most important work of showing up as a good partner and father. With this in mind, if writing stresses me out, if writing makes me chippy with Lynn and the kids, I can let it go.

And I might. I still wonder if the best version of this work would be weather data and pictures, no human angle included. Explicit language often narrows the band of impact for art. Yet also, for the smaller sliver of humans that resonate, it can deepen the impact. Accordingly, I’m still pulled to express with words, to face the writing struggle. I still see room for sharing an alternative way of being than the average of what I find out there today. And I know that most of the things in my life I’m proud of required moving through hardship in the moment.

As I’m reflecting on this on a personal level, I’m attempting to apply it outside myself. I’m always surprised by how good people are when I get to know them. It’s easy to ruminate on a small set of data points in isolation, and to make assumptions. But when face to face, in person, with space to hear someone out, they always surprise me. I quickly realize that my judgments were misplaced - they are not bad, they simply had a challenging moment that I witnessed, often due to a way fuller plate than mine. They are not dumb, they just have a different set of experiences that lead to a valid, opposing belief. Inevitably, they too are evolving through the challenges they face and alternative viewpoints they come across.

With this in mind, for Volume 6, I tried my best to share from a space of optimism. This is in contrast to the hopeless disposition I held for Volume 5. On the personal level, this means trusting that individuals are good people that are doing well and capable of supporting themselves. This feels right in my body compared to the posture of “everyone needs my help (and I have the answers)”. A friend kindly made me aware of how classically white-American-colonizer this framing is. Opening my eyes further to how much I’m not self-made, but merely a product of my DNA, circumstance and upbringing.

On the larger scale, embodying optimism means trusting that we are exactly where we are supposed to be. The Universe is a Green Dragon gave me a story that I needed to find truth in this. In short, our human crafted technological progress, negative externalities included, has allowed for a foundational leap in our understanding of where we come from, and how we can continue to move forward. There’s plenty of work to do, but it’s made tangible and manageable.

With that, as always, thanks to everyone who gives Local Studies their time and attention. I hope this work feels in service to you. Even if it looks fun and sexy, it’s hard. I feel exposed, I struggle with managing physical overuse injuries, I struggle believing in what I’m doing. But this is the path of the artist that I choose. I just need to keep reminding myself that while it can feel like everything in my world, it is also nothing. It can be cherished, and discarded; it can make an impact for some, and be meaningless to others.

Now to those of you that do find value in the work, please do let me know. I’m sensitive. As much as I wish otherwise, I still need your encouragement to have faith and keep going.

With hope,
Sam
3
M56Contents · the letter
Figtree · EB Garamond · Instrument Serif
Winter 25/26 — Idaho’s second warmest winter in 130 years
M57Winter 25/26 · the summary
Figtree · EB Garamond · Instrument Serif
M58The goats
Figtree · EB Garamond · Instrument Serif
November
11
Temperature · Snow Water Equivalent · Wind speed
Warm and Dry

Going into the season, the Earth’s rhythms were set up for an above average snow year in Idaho. The Pacific Ocean was in the midst of its La Niña pattern, meaning cooler surface temperatures, which helps align the jet stream (where most storm systems form) with the state.

This said, Central Idaho in particular has a history of doing its own thing. Previous La Niña seasons were a mixed bag with winter 2024-25 an average snow year, 2022-23 above average, 2021-22 above average and 2020-21 below average.

October brought hope to the valley, as two atmospheric river events each deposited a foot of snow in the alpine. Temperatures were warm between these systems, but in line with historical averages. By the end of the month, the south side snowpack had melted, but snow remained on the north side above ~8K ft.

November started warm, but temperatures cooled as a series of storms came through between November 4th and 7th. 8 to 12 inches of snow fell in total, but only above ~9K feet, with rain below.

Temperatures shot right back up on the 9th, and remained unseasonably high through the 15th, with highs just shy of 60 in the valley. Light precipitation fell from the 14th to the 17th, with the rain/snow line staying high, fluctuating between 9K and 10K ft.

For the second half of the month, temperatures lowered. An atmospheric river on the 19th and 20th brought a touch of snow down to 6.5K ft, with ~5 inches falling in the alpine. Then another storm dropped a few inches in the northern and western mountains on the 25th and 26th, with minimal precipitation in the Wood River Valley.

Yet even with this cooler weather, November 2025 ended up being Idaho’s warmest in 130 years of record keeping, with temperatures 7.3 degrees above the 100-year average. By the end of the month, there was minimal opportunity for ski touring, with no snow below 7.5K ft, patchy snow with multiple rain crusts between 7.5K and 9.0K ft on north sides, and ~2 feet of snow above 9.0K on the north sides.

M59November · the record
Figtree · EB Garamond · Instrument Serif
THE LAND BETWEEN BELLEVUE AND HAILEY, SITTING AT ~5.2K FEET, WITH FALL FOLIAGE STILL HOLDING. HIKING AND BIKING WERE STILL THE MAIN FORMS OF MOUNTAIN TRAVEL AT THIS POINT.
NOVEMBER
4th
7
M60The valley
Figtree · EB Garamond · Instrument Serif
December
12
Temperature · Snow Water Equivalent · Wind speed
Snow!

The first week of December was cold. A moderate atmospheric river came in from the WNW on the 5th. A foot of snow fell in the alpine, with an inch on the valley floor. This kicked off the first avalanche cycle of the season, mostly on the northern half of the compass above 9K feet where there was an existing snow surface for the new snow to slide on.

Another atmospheric river came in from the WNW on the 8th, pulling warmer air and moisture from Hawaii. The rain/snow line was high, between 9K and 10K feet. Once again, avalanches released in the alpine. Warmer temperatures, minimal precipitation and mostly sunshine for the following week burned off most of the snow on the south sides.

Up to this point in the month, there had been a big area of high pressure off the coast of California that was forcing the jet stream (and all low pressure storm systems) to the north of Central Idaho. Accordingly, in Washington, record amounts of precipitation were falling, but much of it as rain due to high temperatures. While in Utah and Colorado, the land was more towards dry. This pattern changed in the middle of the month, as the high pressure region moved south.

On the 17th, a strong storm from the SW brought significant moisture, colder temps and strong wind (with 100+ mph gusts recorded at 9.5K feet). Another SW-flowing storm followed on the 18th and 19th, bringing over a foot of snow to the valley floor, with feet of snow in the alpine, as well as the first avalanche warning of the season from the Sawtooth Avalanche Center. Snowfall continued through the 27th (with avalanche warnings through the 24th), with the rain/snow line fluctuating between 7.0-9.0K feet. More than 6 feet of snow fell in the high mountains during this time.

Yet while precipitation was well above average for the month, temperatures continued to be significantly above average as well - 33.5 degrees across December in Idaho compared to a 100-year historical average of 23.9 degrees. In other words, it was the 2nd hottest December on record for the state.

M61December · the record
Figtree · EB Garamond · Instrument Serif

7 SPREADS × THE BASE + 20 TYPE SYSTEMS · COVER CONSTANT · ALL COPY VERBATIM SAM (LETTER, ESSAY, COLOPHON, CAPTIONS) + STEVE'S IMPRINT AND HEADLINES · OPEN-LICENSE FACES THROUGHOUT (HELVETICA NEUE SYSTEM)

SECTION 08

QUESTIONS
FOR SAM

The decisions only he can make — resolved before design begins, so the system is built on answers, not assumptions.

Section 08 · what stays open, on purpose

The central tension — and the next obvious step

“Is Local Studies Sam's art? Or is Local Studies a community resource to reflect on the weather?”

Sam names this the central tension — and declines to settle it by decree. It will be settled the way everything here has been: by the next obvious step. Away from “Sam's art,” toward a local weather reflection — with room for his art whenever inspiration insists.

Audience.
A local focus fills the work with meaning — and makes it hardest to sustain. Whether locals truly want it is unproven; many can't tell if it's one man's art or something larger. The fuller turn feels necessary: a local weather history with many perspectives, its summary written by the best weather mind in the valley. That, people would subscribe to for two years — and Sam could ask them to, because it lives outside himself.
The Volume 8 test.
Five to ten local photographers contributing to one winter's history. Volume 7 already leans this way: captions binding picture to weather, Steve's hand in the making, the valley's forecaster editing the record.
Process, or plan.
Good business is consistency. Sam remains torn between issue by issue, one obvious step at a time, and naming a horizon three, five, ten years out.
Still open.
How firmly to hold “not online” · whom the weather voice addresses · whether quality is a value or a virtue.
SOURCE · SAM'S WRITTEN EDITS TO THE MVV WORKING DOC · AUGUST 2026 · REFINED FOR THE DECK
Section 08

Four questions for Sam

01Do the essays stay?
He is tempted to drop them for Vol 7 — but the letters and essays are load-bearing for the 50–80 local audience's attachment to “our Sam.” The evidence cuts both ways; decide deliberately.
02Does the gift economy get a designed afterlife?
e.g. a stated number of copies still given, printed in the manifesto — honoring Vol 5's ethic inside Vol 6's reality.
03What is the canonical descriptor?
“A weather history of Central Idaho” vs. the fuller Vol 6 manifesto paragraph — one must be crowned and carried onto covers, shelf, and website.
04Is the archive logic made explicit?
Position every volume as an entry in a numbered, decades-long record — covers, spines and marketing all serving the shelf.

NEXT · PRICE THE THREE SCALES · BOOK THE DEEP-DIVE + TASTE WORKSHOP · ORDER THE TEARDOWN COPIES

Section 08

What we need from Sam

A twelve-week schedule with a one-week discovery holds only if both sides carry their half. Sam's half, plainly stated:

Before kickoff (by Fri, July 17).
The Volume 7 working InDesign file and assets (fonts, photography selects to date), the cover redesign iteration he mentioned on July 16, and an introduction to his printer so capability questions land on day one.
Week one — two sessions.
The deep-dive interview and the taste & aesthetics workshop (~2 hours each), plus the essays decision surfaced early enough to inform positioning.
Collaborative InDesign implementation.
The design system lands in Sam's working Volume 7 file together — scheduled working sessions through weeks 5–7 where choices are implemented collaboratively, keeping his authorship of the layout while the system gets applied. Agree the file workflow (shared cloud package) in week one.
Content on schedule.
Photo selects and the season's weather history by end of July (per his own July 16 estimate: "everything except the writing"); any writing that survives the essays decision by end of August.
48-hour feedback during design weeks.
Weeks 3–7 run on quick turnarounds; feedback windows longer than two days trade directly against the buffer week.
Decisions that stay decided.
Three gates — positioning (8/7), system (8/28), final files (9/4). Approval at a gate means locked; reopening a locked decision trades against the buffer, then the schedule.
FOR OPTIONAL PHASES · DOMAIN & HOSTING ACCESS (WEBSITE) · STORE LIST + QUANTITIES (MERCH)
APPENDIX

APPENDIX

Terms, payment schedule and intellectual property — the plain-language version, for review together.

Appendix

Terms & conditions

Boilerplate for review — not legal advice; final language to be confirmed by both parties

01 · Engagement

Steve Tam ("Designer") is engaged by Sam Solie / Local Studies ("Client") to deliver the brand and design program described in this proposal, at the tier selected in writing at kickoff. The project commences Monday, July 20, 2026 and runs the twelve-week schedule herein, subject to the dependencies listed in "What We Need From Sam."

02 · Payment schedule

Fees are invoiced as follows: the first payment upon kickoff (July 20); the second payment at the four-week mark (week of August 17); and monthly thereafter through project close (weeks of September 14 and October 12). Installment amounts per the selected tier, agreed in writing before kickoff. Invoices are payable within 15 days.

03 · Intellectual property

Upon receipt of payment for the relevant phase, all work product created for this engagement — including the wordmark, design system, data-visualization language, layouts, guidelines and production files — is assigned in full to Client. Sam Solie / Local Studies owns all project IP. Designer retains the right to display the work in portfolios and case studies, and retains ownership of pre-existing tools, processes and know-how used to create the work.

04 · Third-party materials

Typeface licenses, stock assets and similar third-party materials are licensed in Client's name and billed at cost with Client's prior approval. Client is responsible for maintaining such licenses beyond the engagement.

05 · Revisions & approvals

Each phase includes up to two rounds of revisions before its gate. Approval at a gate (positioning 8/7, design system 8/28, final files 9/4) locks that work; reopening locked decisions, or requests beyond the stated scope, are handled as change orders that may adjust schedule and fees, agreed before work proceeds.

06 · Client responsibilities

Client will provide the materials, access, decisions and feedback described in "What We Need From Sam" on the stated schedule. Delays in Client dependencies extend deadlines day-for-day and may shift the print date, which Designer will flag in writing as it occurs.

07 · Exclusions

Unless expressly included in the selected tier, this engagement excludes editorial writing, photography production, distribution and go-to-market services, ongoing production of Volumes 8+, print and merch production costs (billed directly by vendors to Client), and website hosting fees.

08 · Termination

Either party may terminate with 14 days' written notice. Client pays for all work performed and expenses committed through the termination date; completed work product transfers to Client per Section 03 upon payment.

09 · Warranties & liability

Designer warrants the work is original to the best of their knowledge. Neither party is liable for indirect or consequential damages; total liability is capped at fees paid under this agreement.

10 · General

Designer acts as an independent contractor. Both parties will keep non-public information confidential. This document plus the accepted tier constitutes the agreement; amendments in writing. Governing law: State of [___].